Cinematic emotion in horror films and thrillers : the aesthetic paradox of pleasurable fear
Introduction -- How to describe cinematic fear, or why phenomenology? -- Multiplexperiences : individualized immersion and collective feelings -- Frightening fascination : a phenomenology of direct horror -- Intimidating imaginations : a phenomenology of suggested horror -- Startling scares : a phen...
Saved in:
| Main Author: | |
|---|---|
| Document Type: | Book |
| Language: | English |
| Published: |
New York, NY [u.a.]
: Routledge
, 2010
|
| Edition: | 1. publ. |
| Series: | Routledge advances in film studies
5 |
| Subjects: | |
| Online Access: | Autorenbiografie Rezension Rezension |
| Related Items: | Rezension:
[Rezension von: Julian Hanich, Cinematic emotion in Horror films and Thrillers] Rezensiert in: [Rezension von: Julian Hanich, Cinematic emotion in horror films and thrillers] |
| Author Notes: | Julian Hanich |
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| 245 | 1 | 0 | |a Cinematic emotion in horror films and thrillers |b the aesthetic paradox of pleasurable fear |c Julian Hanich |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a New York, NY [u.a.] |b Routledge |c 2010 | |
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| 490 | 1 | |a Routledge advances in film studies |v 5 | |
| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | 0 | |a Introduction -- How to describe cinematic fear, or why phenomenology? -- Multiplexperiences : individualized immersion and collective feelings -- Frightening fascination : a phenomenology of direct horror -- Intimidating imaginations : a phenomenology of suggested horror -- Startling scares : a phenomenology of cinematic shock -- Anxious anticipations : a phenomenology of cinematic dread -- Apprehensive agitation : a phenomenology of cinematic terror -- Moments of intensity : lived-body metamorphoses and experienced time -- Moments of collectivity : the cinema of fear and feelings of belongingness -- The end. |
| 520 | |a Introduction -- How to describe cinematic fear, or why phenomenology? -- Multiplexperiences : individualized immersion and collective feelings -- Frightening fascination : a phenomenology of direct horror -- Intimidating imaginations : a phenomenology of suggested horror -- Startling scares : a phenomenology of cinematic shock -- Anxious anticipations : a phenomenology of cinematic dread -- Apprehensive agitation : a phenomenology of cinematic terror -- Moments of intensity : lived-body metamorphoses and experienced time -- Moments of collectivity : the cinema of fear and feelings of belongingness -- The end | ||
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| 653 | |a Thrillers (Motion pictures) |a History and criticism | ||
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