Cinematic emotion in horror films and thrillers : the aesthetic paradox of pleasurable fear
Introduction -- How to describe cinematic fear, or why phenomenology? -- Multiplexperiences : individualized immersion and collective feelings -- Frightening fascination : a phenomenology of direct horror -- Intimidating imaginations : a phenomenology of suggested horror -- Startling scares : a phen...
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| Main Author: | |
|---|---|
| Document Type: | Book |
| Language: | English |
| Published: |
New York, NY [u.a.]
: Routledge
, 2010
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| Edition: | 1. publ. |
| Series: | Routledge advances in film studies
5 |
| Subjects: | |
| Online Access: | Autorenbiografie Rezension Rezension |
| Related Items: | Rezension:
[Rezension von: Julian Hanich, Cinematic emotion in Horror films and Thrillers] Rezensiert in: [Rezension von: Julian Hanich, Cinematic emotion in horror films and thrillers] |
| Author Notes: | Julian Hanich |
Table of Contents:
- Introduction
- How to describe cinematic fear, or why phenomenology?
- Multiplexperiences : individualized immersion and collective feelings
- Frightening fascination : a phenomenology of direct horror
- Intimidating imaginations : a phenomenology of suggested horror
- Startling scares : a phenomenology of cinematic shock
- Anxious anticipations : a phenomenology of cinematic dread
- Apprehensive agitation : a phenomenology of cinematic terror
- Moments of intensity : lived-body metamorphoses and experienced time
- Moments of collectivity : the cinema of fear and feelings of belongingness
- The end.
