Cinematic emotion in horror films and thrillers : the aesthetic paradox of pleasurable fear
Introduction -- How to describe cinematic fear, or why phenomenology? -- Multiplexperiences : individualized immersion and collective feelings -- Frightening fascination : a phenomenology of direct horror -- Intimidating imaginations : a phenomenology of suggested horror -- Startling scares : a phen...
Gespeichert in:
VerfasserIn: | |
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Dokumenttyp: | Buch |
Sprache: | English |
Veröffentlicht: |
New York, NY [u.a.]
: Routledge
, 2010
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Ausgabe: | 1. publ. |
Schriftenreihe: | Routledge advances in film studies
5 |
Schlagwörter: | |
Online Zugang: | Autorenbiografie Rezension Rezension |
Bibliogr. Hinweis: | Rezension:
[Rezension von: Julian Hanich, Cinematic emotion in Horror films and Thrillers] Rezensiert in: [Rezension von: Julian Hanich, Cinematic emotion in horror films and thrillers] |
Verantwortlich: | Julian Hanich |
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245 | 1 | 0 | |a Cinematic emotion in horror films and thrillers |b the aesthetic paradox of pleasurable fear |c Julian Hanich |
250 | |a 1. publ. | ||
264 | 1 | |a New York, NY [u.a.] |b Routledge |c 2010 | |
300 | |a X, 301 S. |b Ill. |c 24 cm | ||
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490 | 1 | |a Routledge advances in film studies |v 5 | |
500 | |a Includes bibliographical references and index | ||
505 | 8 | 0 | |a Introduction -- How to describe cinematic fear, or why phenomenology? -- Multiplexperiences : individualized immersion and collective feelings -- Frightening fascination : a phenomenology of direct horror -- Intimidating imaginations : a phenomenology of suggested horror -- Startling scares : a phenomenology of cinematic shock -- Anxious anticipations : a phenomenology of cinematic dread -- Apprehensive agitation : a phenomenology of cinematic terror -- Moments of intensity : lived-body metamorphoses and experienced time -- Moments of collectivity : the cinema of fear and feelings of belongingness -- The end. |
520 | |a Introduction -- How to describe cinematic fear, or why phenomenology? -- Multiplexperiences : individualized immersion and collective feelings -- Frightening fascination : a phenomenology of direct horror -- Intimidating imaginations : a phenomenology of suggested horror -- Startling scares : a phenomenology of cinematic shock -- Anxious anticipations : a phenomenology of cinematic dread -- Apprehensive agitation : a phenomenology of cinematic terror -- Moments of intensity : lived-body metamorphoses and experienced time -- Moments of collectivity : the cinema of fear and feelings of belongingness -- The end | ||
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650 | 0 | |a Horror films |x History and criticism | |
650 | 0 | |a Thrillers (Motion pictures) |x History and criticism | |
650 | 0 | |a Motion picture audiences | |
653 | |a Horror films |a History and criticism | ||
653 | |a Thrillers (Motion pictures) |a History and criticism | ||
653 | |a Motion picture audiences | ||
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