A theory of the tache in nineteenth-century painting
Gespeichert in:
| VerfasserIn: | |
|---|---|
| Dokumenttyp: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
: Ashgate
, 2014
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| Schriftenreihe: | Studies in art historiography
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| Schlagwörter: | |
| Online Zugang: | Rezension Inhaltsverzeichnis Rezension |
| Bibliogr. Hinweis: | Rezensiert in:
[Rezension von: Øystein Sjåstad, A theory of the tache in nineteenth-century painting] |
| Verantwortlich: | Øystein Sjåstad |
Inhaltsangabe:
- Introduction. To Overlook or to Over-lookThe Tache as a Sign Between Perception and Imagination
- A Theory of Sign Crossings
- The Tache Before Manet
- Manet's Tache. An Art of Inconsistency
- Cézanne's Field of Taches. Between Touch and Vision
- Seurat's Point and Signac's 'Not-Dot'
- Matisse's Farewell to the Tache
- Afterword. Eye and Hand.
