A theory of the tache in nineteenth-century painting
Gespeichert in:
| VerfasserIn: | |
|---|---|
| Dokumenttyp: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
: Ashgate
, 2014
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| Schriftenreihe: | Studies in art historiography
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| Schlagwörter: | |
| Online Zugang: | Rezension Inhaltsverzeichnis Rezension |
| Bibliogr. Hinweis: | Rezensiert in:
[Rezension von: Øystein Sjåstad, A theory of the tache in nineteenth-century painting] |
| Verantwortlich: | Øystein Sjåstad |
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| 245 | 1 | 2 | |a A theory of the tache in nineteenth-century painting |c Øystein Sjåstad |
| 264 | 1 | |a Farnham [u.a.] |b Ashgate |c 2014 | |
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| 490 | 0 | |a Studies in art historiography | |
| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | 0 | |a Introduction. To Overlook or to Over-lookThe Tache as a Sign Between Perception and Imagination -- A Theory of Sign Crossings -- The Tache Before Manet -- Manet's Tache. An Art of Inconsistency -- Cézanne's Field of Taches. Between Touch and Vision -- Seurat's Point and Signac's 'Not-Dot' -- Matisse's Farewell to the Tache -- Afterword. Eye and Hand. |
| 650 | 0 | |a Painting |x Semiotics | |
| 650 | 0 | |a Painting, Modern |y 19th century | |
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| 990 | |a Seurat, Georges | ||
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