The fertile ground of painting : seventeenth-century still lifes & nature pieces
17th-Century Netherlandish Still Life painting actively participated in the intellectual discourse of natural philosophy and the natural sciences, even though art history until recently described it, somewhat simplifying, as realistic-representative painting. We urgently need a rehabilitation of the...
Gespeichert in:
| VerfasserIn: | |
|---|---|
| Mitwirkende: | |
| Dokumenttyp: | Buch |
| Sprache: | English German |
| Veröffentlicht: |
London ; Turnhout
: Harvey Miller Publishers
, 2020
|
| Schriftenreihe: | Harvey Miller studies in baroque art
|
| Schlagwörter: | |
| Online Zugang: | lizenzpflichtig |
| Bibliogr. Hinweis: | Rezensiert in:
[Rezension von: Karin Leonhard, The fertile ground of painting. 17th-century still lives and nature pieces] |
| Verantwortlich: | Karin Leonhard ; translation by Russell Stockman |
| Zusammenfassung: | 17th-Century Netherlandish Still Life painting actively participated in the intellectual discourse of natural philosophy and the natural sciences, even though art history until recently described it, somewhat simplifying, as realistic-representative painting. We urgently need a rehabilitation of the notion of Mimesis. The author restarts the discussion, by putting more emphasis on the historical notions of Nature and Image. She examines how mimetic structures acquired a biotic reproductive capacity in the 17th century. Still Life painting thematizes the ability of Nature and Art to produce similarities and is therefore predestined for a theorization of mimetic strcutures of Art in general. |
|---|---|
| Beschreibung: | Literaturverzeichnis: Seite 279-297 Auf der Rückseite der Haupttitelseite: "Originally published as "Bildfelder - Stilleben und Naturstücke des 17. Jahrhunderts" in German by Walter de Gruyter GmbH, 2013." |
| Beschreibung: | 304 Seiten |
| ISBN: | 9781912554065 1912554062 |
