The fertile ground of painting : seventeenth-century still lifes & nature pieces
17th-Century Netherlandish Still Life painting actively participated in the intellectual discourse of natural philosophy and the natural sciences, even though art history until recently described it, somewhat simplifying, as realistic-representative painting. We urgently need a rehabilitation of the...
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| Main Author: | |
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| Other Authors: | |
| Document Type: | Book |
| Language: | English German |
| Published: |
London ; Turnhout
: Harvey Miller Publishers
, 2020
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| Series: | Harvey Miller studies in baroque art
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| Subjects: | |
| Online Access: | lizenzpflichtig |
| Related Items: | Rezensiert in:
[Rezension von: Karin Leonhard, The fertile ground of painting. 17th-century still lives and nature pieces] |
| Author Notes: | Karin Leonhard ; translation by Russell Stockman |
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| 520 | |a 17th-Century Netherlandish Still Life painting actively participated in the intellectual discourse of natural philosophy and the natural sciences, even though art history until recently described it, somewhat simplifying, as realistic-representative painting. We urgently need a rehabilitation of the notion of Mimesis. The author restarts the discussion, by putting more emphasis on the historical notions of Nature and Image. She examines how mimetic structures acquired a biotic reproductive capacity in the 17th century. Still Life painting thematizes the ability of Nature and Art to produce similarities and is therefore predestined for a theorization of mimetic strcutures of Art in general. | ||
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