Regina Cœli : les images mariales et le culte des reliques : entre Orient et Occident au Moyen Âge
Scholarly investigation of devotional images from the medieval period has never explored, in a European context, the question of Marian paintings functioning as portable relics. The model of the picture-reliquary ? : a single, diptych, or triptych panel comprising the portrait of the ?Virgin and Ch...
محفوظ في:
المؤلف الرئيسي: | |
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التنسيق: | أطروحة كتاب |
اللغة: | French |
منشور في: |
Turnhout
: Brepols
, [2017]
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سلاسل: | Hagiologia
volume 12 |
الموضوعات: | |
الوصول للمادة أونلاين: | Inhaltsverzeichnis Klappentext Literaturverzeichnis |
مواد ذات صلة: | Rezensiert in:
[Rezension von: Anna Maria Migdal, Regina Cœli. Les images mariales et le culte des reliques. Entre Orient et Occident au Moyen Âge] |
ملاحظات المؤلف: | Anna Maria Migdal |
الملخص: | Scholarly investigation of devotional images from the medieval period has never explored, in a European context, the question of Marian paintings functioning as portable relics. The model of the picture-reliquary ? : a single, diptych, or triptych panel comprising the portrait of the ?Virgin and Child? painted on wood (or, more rarely, on gilded glass, ?verreéglomisé?) set in a large framework encrusted with relics (occasionally with precious stones) was particularly widespread in the territory of Little Poland from c. 1420. Polish reliquaries, known until the beginning of the sixteenth century, should be considered as an adaptation of iconic types and forms of Byzantine provenance, which were reinterpreted in the painting of the Italian ?Trecento?. Of particular note is the Siennese model of the portable Marian altar piece made popular from the 1330s-40s. From the comparative study of the works, concerning their similarities and their antiquity, one envisages the advent of such a formal concept in Poland either directly from Italy, or by the intermediary of Bohemia |
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وصف مادي: | 438 Seiten, 24 ungezählte Seiten Bildtafeln Illustrationen |
ردمك: | 2503568580 9782503568584 |