Hans Memling : portraiture, piety, and a reunited altarpiece

Hans Memling was one of the most important, prolific and versatile painters active in 15th-century Bruges, and one of the leading artists of the Early Netherlandish School. Commissioned by Abbot Jan Crabbe, one of Memling's most signifcant and erudite patrons, the triptych of the Crucifixion -...

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Bibliographic Details
Main Authors: Marciari, John (Editor, HerausgeberIn, VerfasserIn)
Ainsworth, Maryan W. (VerfasserIn)
Borchert, Till-Holger (VerfasserIn)
Geirnaert, Noël (VerfasserIn)
Corporate Authors: Pierpont Morgan Library (Gastgebende Institution)
Vlaams onderzoeskcentrum voor de Kunst in de Bourgondische Nederlanden (Sonstige Person, Familie und Körperschaft)
Stedelijke Musea (Sonstige Person, Familie und Körperschaft)
Other Authors: Memling, Hans (KünstlerIn)
Document Type: Book
Language:English
Published: New York : The Morgan Library & Museum in association with Paul Holberton Publishing , [2016]
Brügge : The Flemish Research Centre for the Arts in the Burgundian Netherlands, Musea Brugge , [2016]
Subjects:
Online Access:Inhaltsverzeichnis
Related Items:Rezensiert in: [Rezension von: John Marciari (Hrsg.), Hans Memling, Portraiture, piety, and a reunited altarpiece]
Author Notes:edited by John Marciari ; with essays by Maryan W. Ainsworth, Till-Holger Borchert, Noël Geirnaert ... [und 4 anderen]
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264 1 |a New York  |b The Morgan Library & Museum in association with Paul Holberton Publishing  |c [2016] 
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500 |a Rückseite der Titelseite: "This catalogue is published on the occasion of an exhibition Hans Memling. Portraiture, Piety, and a Reunited Altarpiece, The Morgan Library & Museum, New York, September 2, 2016-January 8, 2017." 
505 8 0 |t Foreword and acknowledgements  |r Colin B. Bailey 
505 8 0 |t Preface  |r Till-Holger Borchert & Renaat Landuyt 
505 8 0 |t The Triptych of Jan Crabbe ; Memling at the Morgan: the Crabbe Triptych  |r John Marciari 
505 8 0 |t Hans Memling (ca. 1440-1494): an introductory sketch  |r Till-Holger Borchert 
505 8 0 |t Johannes Crabbe, abbot of Ten Duinen, 1457-88  |r Noël Geirnaert 
505 8 0 |t The evolution of Jan Crabbe's triptych  |r Maryan W. Ainsworth 
505 8 0 |t A new technical study of the Vicenza Crucifixion  |r Gianluca Poldi & Giovanni C.F. Villa 
505 8 0 |t Drawing from the time of Memling and his followers  |r Illona van Tuinen. 
520 |a Hans Memling was one of the most important, prolific and versatile painters active in 15th-century Bruges, and one of the leading artists of the Early Netherlandish School. Commissioned by Abbot Jan Crabbe, one of Memling's most signifcant and erudite patrons, the triptych of the Crucifixion - in particular its wings, with their complex and meticulously conceived background landscapes and the convincing realism of the portraits - ostentatiously demonstrate Memling's skills and ambitions. Completed around 1470, the triptych was dismembered in the 18th century. Two panels from the altarpiece are among the finest paintings owned by the Morgan Library & Museum, where they are on permanent view in Pierpont Morgan's Study. "Hans Memling. Portraiture, piety, and a reunited altarpiece" accompanies the first museum exhibition to explore the reconstructed masterpiece in context. Underscoring this great artist's impact, the book also examines Early Netherlandish drawings from the Morgan's collection, works ranging from the early compositional studies and figure drawings to a group of portrait drawings made in the generation after Memling and under his influence. Exhibition: Morgan Library and Museum, New York, USA (2.9.2016-8.1.2017) 
520 |a Hans Memling was one of the most important, prolific and versatile painters active in 15th-century Bruges, and one of the leading artists of the Early Netherlandish School. Commissioned by Abbot Jan Crabbe, one of Memling's most signifcant and erudite patrons, the triptych of the Crucifixion - in particular its wings, with their complex and meticulously conceived background landscapes and the convincing realism of the portraits - ostentatiously demonstrate Memling's skills and ambitions. Completed around 1470, the triptych was dismembered in the 18th century. Two panels from the altarpiece are among the finest paintings owned by the Morgan Library & Museum, where they are on permanent view in Pierpont Morgan's Study. "Hans Memling. Portraiture, piety, and a reunited altarpiece" accompanies the first museum exhibition to explore the reconstructed masterpiece in context. Underscoring this great artist's impact, the book also examines Early Netherlandish drawings from the Morgan's collection, works ranging from the early compositional studies and figure drawings to a group of portrait drawings made in the generation after Memling and under his influence. Exhibition: Morgan Library and Museum, New York, USA (2.9.2016-8.1.2017) 
520 |a Foreword and acknowledgements / Colin B. Bailey -- Preface / Till-Holger Borchert & Renaat Landuyt -- The Triptych of Jan Crabbe -- Memling at the Morgan: the Crabbe Triptych / John Marciari -- Hans Memling (ca. 1440-1494): an introductory sketch / Till-Holger Borchert -- Johannes Crabbe, abbot of Ten Duinen, 1457-88 / Noël Geirnaert -- The evolution of Jan Crabbe's triptych / Maryan W. Ainsworth -- A new technical study of the Vicenza Crucifixion / Gianluca Poldi & Giovanni C.F. Villa -- Drawing from the time of Memling and his followers / Illona van Tuinen 
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