Musicians' mobilities and music migrations in Early Modern Europe : biographical patterns and cultural exchanges
During the 17th and 18th century musicians' mobilities and migrations are essential for the European music history and the cultural exchange of music. Adopting viewpoints that reflect different methodological approaches and diversified research cultures, the book presents studies on central sco...
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| Corporate Author: | |
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| Other Authors: | |
| Document Type: | Conference Proceeding Book |
| Language: | English |
| Published: |
Bielefeld
: transcript
, [2016]
|
| Series: | Mainzer historische Kulturwissenschaften
volume 33 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Rezension http://www.transcript-verlag.de/978-3-8376-3504-1 |
| Related Items: | Erscheint auch als:
Musicians' mobilities and music migrations in early modern Europe Erscheint auch als: Musicians' Mobilities and Music Migrations in Early Modern Europe Erscheint auch als: Musicians' mobilities and music migrations in early modern Europe Rezensiert in: [Rezension von: Gesa zur Nieden / Berthold Over (eds.), Musicians' mobilities and music migrations in Early Modern Europe] |
| Author Notes: | Gesa zur Nieden, Berthold Over (eds.) |
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| 264 | 1 | |a Bielefeld |b transcript |c [2016] | |
| 264 | 4 | |c © 2016 | |
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| 500 | |a "The present volume is the outcome of a workshop, "Music Migrations: from Source Research to Cultural Studies", held at the Johannes Gutenberg-Universität in Mainz from 24 to 25 April 2014" (Preface) | ||
| 520 | |a During the 17th and 18th century musicians' mobilities and migrations are essential for the European music history and the cultural exchange of music. Adopting viewpoints that reflect different methodological approaches and diversified research cultures, the book presents studies on central scopes, strategies and artistic outcomes of mobile and migratory musicians as well as on the transfer of music. By looking at elite and non-elite musicians and their everyday mobilities to major and minor centers of music production and practice, new biographical patterns and new stylistic paradigms in the European East, West and South emerge | ||
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