How things make history : the Roman Empire and its terra sigillata pottery
Bright red 'terra sigillata' pots dating to the first three centuries CE can be found throughout the Western Roman provinces. The pots' widespread distribution and recognisability make them key evidence in the effort to reconstruct the Roman Empire's economy and society. Drawing...
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| Main Author: | |
|---|---|
| Document Type: | Thesis Book |
| Language: | English |
| Published: |
Amsterdam
: Amsterdam University Press
, [2016]
|
| Series: | Amsterdam archaeological studies
23 |
| Subjects: | |
| Online Access: | Autorenbiografie Verlagsangaben |
| Related Items: | Erscheint auch als:
How things make history Rezensiert in: [Rezension von: Astrid van Oyen, How things make history. The Roman Empire and its terra sigillata pottery] |
| Author Notes: | Astrid Van Oyen |
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| 520 | |a Bright red 'terra sigillata' pots dating to the first three centuries CE can be found throughout the Western Roman provinces. The pots' widespread distribution and recognisability make them key evidence in the effort to reconstruct the Roman Empire's economy and society. Drawing on recent ideas in material culture, this book asks a radically new question: what was it about the pots themselves that allowed them to travel so widely and be integrated so quickly into a range of contexts and practices? To answer this question, Van Oyen offers a fresh analysis in which objects are no longer passive props, but rather they actively shape historical trajectories | ||
| 520 | |a Bright red 'terra sigillata' pots dating to the first three centuries CE can be found throughout the Western Roman provinces. The pots' widespread distribution and recognisability make them key evidence in the effort to reconstruct the Roman Empire's economy and society. Drawing on recent ideas in material culture, this book asks a radically new question: what was it about the pots themselves that allowed them to travel so widely and be integrated so quickly into a range of contexts and practices? To answer this question, Van Oyen offers a fresh analysis in which objects are no longer passive props, but rather they actively shape historical trajectories | ||
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