Japanomania in the Nordic countries, 1875-1918
This extensive publication, complete with hundreds of illustrations by such renowned artists as Carl Larsson, Edvard Munch, Vilhelm Hammershoi, Pekka Halonen, Akseli Gallen-Kallela, Christopher Dresser, Pietro Krohn, Alf Wallander, and Frida Hansen, among others, offers an unprecedented study of Jap...
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| Corporate Authors: | |
|---|---|
| Other Authors: | |
| Document Type: | Book |
| Language: | English |
| Published: |
New Haven ; London
: Yale University Press
, [2016]
Oslo : National Museum of Art, Architecture and Design , [2016] Copenhagen : SMK - Statens Museum for Kunst , [2016] Brussels : Mercatorfonds , [2016] |
| Series: | Ateneum Publications
Vol. 75 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Related Items: | Parallele Sprachausgabe:
Japanomania Rezensiert in: Japanomania in the Nordic Countries, 1875-1918 |
| Author Notes: | edited by Gabriel P. Weisberg, Anna-Maria von Bonsdorff & Hanne Selkokari |
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| 490 | 1 | |a Ateneum Publications |v Vol. 75 | |
| 500 | |a Seite 8: "This book was published on the occasion of the Exhibition "Japanomania in the Nordic Countries, 1875-1918" Ateneum Art Museum, Finnish National Gallery, Helsinki 18 February-15 May 2016, National Museum of Art, Architecture and Design, Oslo 16 June-16 October 2016, Statens Museum for Kunst, Copenhagen 19 January-23 April 2017" | ||
| 505 | 8 | 0 | |t Introduction : International Japonisme. The Japonisme phenomenon |r Gabriel P. Weisberg ; The Anglo-Japanese style and 'the great wave of Japanese influence' |
| 505 | 8 | 0 | |t Early Nordic Connections. Connecting with Japan : the transmission |r Gabriel P. Weisberg ; The first collections of Japanese art in Nordic countries |
| 505 | 8 | 0 | |t Pioneers in the North. 'Only the useless is beautiful' : those wonderful ladies in their kimonos |r Anna Kortelainen ; Art collector Herman Frithiof Antell : at home in Paris, abroad in Japan |
| 505 | 8 | 0 | |t A New Aesthetic Language in Nordic Art. Japonisme, national identity and a new aesthetic idiom |r Widar Halén ; The ideal of simplification : Japonisme's most persistent manifestation in Nordic art? |
| 505 | 8 | 0 | |t Cutting Edge Techniques. Textile art and Nordic Japonisme at the Friends of Finnish handicraft |r Leena Svinhufvud ; A hint of Japan : Japonisme in Edvard Munch's and Nikolai Astrup's prints |
| 505 | 8 | 0 | |t Nordic Nature. From blade of grass to sacred wilderness : changing the concept of nature |r Anna-Maria von Bonsdorff ; Norwegian nature in a Japanese costume : Japonisme in Thorolf Holmboe's and Theodor Kittelsen's art |
| 505 | 8 | 0 | |t Japanomania Hits the Streets. Japan mania and the popular reception of Japonisme |r Widar Halén ; 'Copies without an original' : Japonisme in popular postcard imagery |
| 520 | |a This extensive publication, complete with hundreds of illustrations by such renowned artists as Carl Larsson, Edvard Munch, Vilhelm Hammershoi, Pekka Halonen, Akseli Gallen-Kallela, Christopher Dresser, Pietro Krohn, Alf Wallander, and Frida Hansen, among others, offers an unprecedented study of Japanese influence on the visual arts in the Nordic countries. This unlikely diffusion of Japanese culture, known collectively as Japonisme, became increasingly apparent in England, France, and elsewhere in Europe during the 19th century, although nowhere was the influence seemingly as pervasive as it was throughout the Nordic countries. The book reveals how the widespread interest in Japanese aesthetics helped to establish notions of a fundamental unity between the arts and transformed the region's visual vocabulary. The adoption of Japanese motifs and styles in Finland, Norway, Sweden, and Denmark provided a necessary cohesion to their existing artistic language, forming a vital balance within and among all of the applied arts. | ||
| 520 | |a This extensive publication, complete with hundreds of illustrations by such renowned artists as Carl Larsson, Edvard Munch, Vilhelm Hammershoi, Pekka Halonen, Akseli Gallen-Kallela, Christopher Dresser, Pietro Krohn, Alf Wallander, and Frida Hansen, among others, offers an unprecedented study of Japanese influence on the visual arts in the Nordic countries. This unlikely diffusion of Japanese culture, known collectively as Japonisme, became increasingly apparent in England, France, and elsewhere in Europe during the 19th century, although nowhere was the influence seemingly as pervasive as it was throughout the Nordic countries. The book reveals how the widespread interest in Japanese aesthetics helped to establish notions of a fundamental unity between the arts and transformed the region's visual vocabulary. The adoption of Japanese motifs and styles in Finland, Norway, Sweden, and Denmark provided a necessary cohesion to their existing artistic language, forming a vital balance within and among all of the applied arts. 0Exhibition: Ateneum Art Museum, Helsinki, Finland (18.02-15.05.2016) / National Gallery of Norway, Oslo, Norway (16.06-16.10.2016) / National Gallery of Denmark, Copenhagen, Denmark (19.01-23.04.2017) | ||
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