Robert Dudley, Earl of Leicester, and the world of Elizabethan art : painting and patronage at the court of Elizabeth I
"This book is the first comprehensive survey of aristocratic art collecting and patronage in Elizabethan England, as seen through the activities of Robert Dudley, Earl of Leicester (ca. 1532-1588). One of the most fascinating and controversial people of his day, Leicester was also the most impo...
Saved in:
| Main Author: | |
|---|---|
| Document Type: | Book |
| Language: | English |
| Published: |
New Haven, Conn. [u.a.]
: Yale Univ. Press
, 2014
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Rezension Rezension |
| Related Items: | Rezensiert in:
[Rezension von: Elizabeth Goldring, Robert Dudley, Earl of Leicester, and the World of Elizabeth. Painting and Patronage at the Court of Elizabeth I] |
| Author Notes: | Elizabeth Goldring |
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| 245 | 1 | 0 | |a Robert Dudley, Earl of Leicester, and the world of Elizabethan art |b painting and patronage at the court of Elizabeth I |c Elizabeth Goldring |
| 264 | 1 | |a New Haven, Conn. [u.a.] |b Yale Univ. Press |c 2014 | |
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| 505 | 8 | 0 | |a Introduction: "a noble Mecenas"The Dudleys and their Milieu, 1509-1559 -- The 1560s: Creation of an Earl -- The 1570s: Princely Pleasures -- The 1580s: Leicester and the Netherlands -- Kenilworth Castle -- Leicester House and Wanstead Manor -- Epilogue: Dispersal and Descent. |
| 520 | |a "This book is the first comprehensive survey of aristocratic art collecting and patronage in Elizabethan England, as seen through the activities of Robert Dudley, Earl of Leicester (ca. 1532-1588). One of the most fascinating and controversial people of his day, Leicester was also the most important patron of painters at the Elizabethan court. He amassed a substantial art collection, including commissioned works by Nicholas Hilliard, Paolo Veronese, and Federico Zuccaro; helped foster the birth of an English vernacular discourse on the visual arts; and was an early exponent, in England, of the Italian Renaissance view of the painter as the practitioner of a liberal art and, thus, fit company for the educated and well-born. Although Leicester's picture collection and personal papers were widely dispersed after his death, this volume's pioneering research reconstructs his lost world and, with it, a turning point in the history of British art. Some of the paintings featured here are little-known images from private collections, never before reproduced in color. "-- | ||
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