The king's pictures : the formation and dispersal of the collections of Charles I and his courtiers
"The greatest paintings in today's most famous museums were once part of a fluid exchange determined by volatile political fortunes. In the first half of the 17th century, masterpieces by Titian, Raphael, and Leonardo, among others, were the objects of fervent pursuit by art connoisseurs....
Đã lưu trong:
| Tác giả chính: | |
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| Tác giả khác: | |
| Định dạng: | Sách |
| Ngôn ngữ: | English |
| Được phát hành: |
New Haven [u.a.]
: Yale University Press
, 2013
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| Những chủ đề: | |
| Truy cập trực tuyến: | Inhaltsverzeichnis |
| Các quyển sách có liên quan: | Rezension:
Das letzte Werk des Altmeisters der Sammlungsforschung postum veröffentlicht |
| Ghi chú tác giả: | Francis Haskell. Ed. and introd. by Karen Serres. With a forew. by Nicholas Penny |
| Tóm tắt: | "The greatest paintings in today's most famous museums were once part of a fluid exchange determined by volatile political fortunes. In the first half of the 17th century, masterpieces by Titian, Raphael, and Leonardo, among others, were the objects of fervent pursuit by art connoisseurs. Francis Haskell traces the fate of collections extracted from Italy, Spain, and France by King Charles I and his circle, which, after a brief stay in Britain, were largely dispersed after the Civil War to princely galleries across the Continent. From vivid case studies of individual collectors, advisers, and artists, and acute analysis of personality and motive, Haskell challenges ideas about this episode in British cultural life and traces some of the factors that forever changed the artistic map of Europe". Yale |
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| Mô tả sách: | Literaturverz. S. 210 - 224 |
| Mô tả vật lý: | XV, 244 S. zahlr. Ill. |
| số ISBN: | 0300190123 9780300190120 |
