The king's pictures : the formation and dispersal of the collections of Charles I and his courtiers
"The greatest paintings in today's most famous museums were once part of a fluid exchange determined by volatile political fortunes. In the first half of the 17th century, masterpieces by Titian, Raphael, and Leonardo, among others, were the objects of fervent pursuit by art connoisseurs....
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| VerfasserIn: | |
|---|---|
| Mitwirkende: | |
| Dokumenttyp: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Haven [u.a.]
: Yale University Press
, 2013
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| Schlagwörter: | |
| Online Zugang: | Inhaltsverzeichnis |
| Bibliogr. Hinweis: | Rezension:
Das letzte Werk des Altmeisters der Sammlungsforschung postum veröffentlicht |
| Verantwortlich: | Francis Haskell. Ed. and introd. by Karen Serres. With a forew. by Nicholas Penny |
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| 245 | 1 | 4 | |a The king's pictures |b the formation and dispersal of the collections of Charles I and his courtiers |c Francis Haskell. Ed. and introd. by Karen Serres. With a forew. by Nicholas Penny |
| 264 | 1 | |a New Haven [u.a.] |b Yale University Press |c 2013 | |
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| 500 | |a Literaturverz. S. 210 - 224 | ||
| 501 | |a Art collectors in London on the eve of the Civil WarArt collections in London on the eve of the Civil War -- "Scandalous monuments and pictures"? -- Exiles and exports -- The royal sale -- Final departures and first returns. | ||
| 520 | |a "The greatest paintings in today's most famous museums were once part of a fluid exchange determined by volatile political fortunes. In the first half of the 17th century, masterpieces by Titian, Raphael, and Leonardo, among others, were the objects of fervent pursuit by art connoisseurs. Francis Haskell traces the fate of collections extracted from Italy, Spain, and France by King Charles I and his circle, which, after a brief stay in Britain, were largely dispersed after the Civil War to princely galleries across the Continent. From vivid case studies of individual collectors, advisers, and artists, and acute analysis of personality and motive, Haskell challenges ideas about this episode in British cultural life and traces some of the factors that forever changed the artistic map of Europe". Yale | ||
| 600 | 1 | 0 | |a Charles |b I |c King of England |d 1600-1649 |x Art collections |
| 650 | 0 | |a Painting |x Private collections |z England |z London | |
| 651 | 0 | |a Great Britain |x Kings and rulers |x Art collections |x History |y 17th century | |
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| 689 | 0 | 3 | |a z |2 gnd |a Geschichte 1450-1650 |
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| 787 | 0 | 8 | |i Rezension |a Vogtherr, Christoph Martin, 1965 - |t Das letzte Werk des Altmeisters der Sammlungsforschung postum veröffentlicht |d 2014 |w (DE-627)1755408285 |
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