Religion and the senses in early modern Europe
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Other Authors: | |
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Document Type: | Book |
Language: | English |
Published: |
Leiden [u.a.]
: Brill
, 2013
|
Series: | Intersections
26 |
Subjects: | |
Online Access: | Inhaltsverzeichnis Klappentext Rezension |
Related Items: | Rezensiert in:
Rezension von Wietse de Boer: Christine Göttler (ed.) Religion and the Senses in Early Modern Europe Rezensiert in: [Rezension von: Wietse de Boer / Christine Göttler (eds.), Religion and the senses in early modern Europe - Matthew Milner, The senses and the English Reformation] Rezensiert in: [Rezension von: Boer, Wietse de, Religion and the Senses in Early Modern Europe] |
Author Notes: | ed. by Wietse de Boer and Christine Göttler |
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245 | 1 | 0 | |a Religion and the senses in early modern Europe |c ed. by Wietse de Boer and Christine Göttler |
264 | 1 | |a Leiden [u.a.] |b Brill |c 2013 | |
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490 | 1 | |a Intersections |v 26 | |
500 | |a Most of the essays grew out of papers presented at the Renaissance Society of America conference (Venice, 2010) | ||
505 | 8 | 0 | |t Introduction: The sacred and the senses in an age of reform |r Wietse de Boer and Christine GöttlerInsinuating the cross: sight, suggestion, and self in Renaissance painting / Alfred Acres |
505 | 8 | 0 | |t Display and devotion: exhibiting icons and their copies in counter-reformation Italy |r Andrew R. Casper |
505 | 8 | 0 | |t 'In sensus cadentem imaginem': varieties of the spiritual image in Theodoor Galle's Life of Blessed Father Ignatius of Loyola of 1610 |r Walter S. Melion |
505 | 8 | 0 | |t 'An odour. A taste. A touch. Impossible to describe': Nole me tangere and the senses |r Barbara Baert |
505 | 8 | 0 | |t 'The beads with which we pray are made from it': devotional ambers in early modern Italy |r Rachel King |
505 | 8 | 0 | |t 'The melodie of Heaven': sermonizing the open ear in early modern England |r Jennifer Rae McDermott |
505 | 8 | 0 | |t Beyond vision: the impact of Rogier van der Weyden's Descent from the cross |r Jennifer R. Hammerschmidt |
505 | 8 | 0 | |t 'A cui ne fece dono': art, exchange, and sensory engagement in Anthony van Dyck's Lamentation for the Antwerp Beguines |r Sarah Joan Moran |
505 | 8 | 0 | |t Tasting God: the sweetness of crying in the counter-Reformation |r Joseph Imorde |
505 | 8 | 0 | |t The sense of hearing politicized: liturgical polyphony and political ambition in fifteenth-century Florence |r Klaus Pietschmann |
505 | 8 | 0 | |t Of eels and pears: a sixteenth-century debate on taste, temperance, and the pleasures of the senses |r Laura Giannetti |
505 | 8 | 0 | |t To captivate the senses: sensory governance, heresy, and idolatry in mid-Tudor England |r Matthew Milner |
505 | 8 | 0 | |t Piazza San Marco: theatre of the senses, market place of the world |r Iain Fenlon |
505 | 8 | 0 | |t A Neapolitan Heaven: the sensory universe of G.B. Giustiniani |r Wietse de Boer |
505 | 8 | 0 | |t The temptation of the senses at the Sacro Monte di Varallo |r Christine Göttler |
505 | 8 | 0 | |t Vision, medicine, and magic: betwitchment and lovesickness in Jacques Grevin's Deux livres des venins (1568) |r Yvonne Petry |
505 | 8 | 0 | |t The return of the species: Jesuit responses to Kepler's new theory of images |r Sven Dupré, |
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