Seeing differently : a history and theory of identification and the visual arts
Introduction: the leaking frame of the argument on how to see differently -- Art as a binary proposition: identity as a binary proposition -- Fetishizing the gaze and the anamorphic perversion : "the other is you" -- Multiculturalism, intersectionality, and "post-identity" -- Que...
Enregistré dans:
| Auteur principal: | |
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| Format: | Livre |
| Langue: | English |
| Publié: |
London ; New York
: Routledge
, 2012
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| Sujets: | |
| Accès en ligne: | Inhaltsverzeichnis |
| Documents similaires: | Rezensiert in:
[Rezension von: Amelia Jones, Seeing differently] |
| Notes sur l'auteur: | Amelia Jones |
Table des matières:
- Introduction: the leaking frame of the argument on how to see differently
- Art as a binary proposition: identity as a binary proposition
- Fetishizing the gaze and the anamorphic perversion : "the other is you"
- Multiculturalism, intersectionality, and "post-identity"
- Queer feminist durationality: time and materiality as a means of resisting spatial objectification
- Seeing and reconceiving difference: concluding thoughts, without final conclusions.
