Brush & shutter : early photography in China ; [... accompanies the exhibition Brush and Shutter. Early Photography in China, held at the J. Paul Getty Museum, 8 February - 1 May 2011]
Uncovered here is a captivating visual history of China during photography's first century. Chinese export painters learned and adapted the medium of photography by grafting the new technology onto traditional artistic conventions - employing both brush and shutter. The essays in this volume sh...
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Mitwirkende: | |
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Dokumenttyp: | Tagungsbericht Buch |
Sprache: | English |
Veröffentlicht: |
Los Angeles, Calif.
: Getty Research Institute
, 2011
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Schlagwörter: | |
Online Zugang: | Autorenbiografie Verlagsangaben Inhaltsverzeichnis |
Bibliogr. Hinweis: | Rezensiert in:
[Rezension von: Jeffrey W. Cody and Frances Terpak, eds., Brush & Shutter, early photography in China] |
Verantwortlich: | ed. by Jeffrey W. Cody ... |
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245 | 1 | 0 | |a Brush & shutter |b early photography in China ; [... accompanies the exhibition Brush and Shutter. Early Photography in China, held at the J. Paul Getty Museum, 8 February - 1 May 2011] |c ed. by Jeffrey W. Cody ... |
246 | 3 | 3 | |a Brush and shutter |
263 | |a Erscheint: 01. Juni 2011 | ||
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500 | |a Published to accompany an exhibition held at the J. Paul Getty Museum, Feb. 8th, 2011. - Includes bibliographical references and index | ||
505 | 8 | 0 | |t Introduction: Reading early photographs of China |r Wu Hung |
505 | 8 | 0 | |t The history of the camera obscura and early photography in China |r Edwin K. Lai |
505 | 8 | 0 | |t Through a foreign glass : the art and science of photography in late Qing China |r Jeffrey W. Cody and Frances Terpak |
505 | 8 | 0 | |t Inventing a "Chinese" portrait style in early photography : the case of Milton Miller |r Wu Hung |
505 | 8 | 0 | |t Chinese as subject : photographic genres in the nineteenth century |r Sarah E. Fraser |
505 | 8 | 0 | |t Beyond the frame : the camera in Republican Shanghai and wartime Chongqing |r Wen-hsin Yeh. |
520 | |a Uncovered here is a captivating visual history of China during photography's first century. Chinese export painters learned and adapted the medium of photography by grafting the new technology onto traditional artistic conventions - employing both brush and shutter. The essays in this volume shed light on the birth of a medium | ||
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