The meditative art : studies in the northern devotional print, 1550 - 1625
Gespeichert in:
| VerfasserIn: | |
|---|---|
| Dokumenttyp: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Philadelphia, Pa.
: Saint Joseph's Univ. Press
, 2009
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| Schriftenreihe: | Early modern catholicism and the visual arts series
1 |
| Schlagwörter: | |
| Online Zugang: | Inhaltsverzeichnis Rezension Klappentext Rezension |
| Bibliogr. Hinweis: | Rezensiert in:
[Rezension von: Walter S. Melion, The meditative art. Studies in the northern devotional print 1550 - 1625]rezensiert von Birgit Ulrike Münch Rezensiert in: [Rezension von: Melion, Walter S., The Meditative Art: Studies in the Northern Devotional Print, 1550-1625] |
| Verantwortlich: | Walter S. Melion |
Inhaltsangabe:
- Introduction: Christ as subject and source of meditative image-makingVirtutis tacitae ut lumina non videant? ("Do they not see the light of silent virtue"): Love, judgment and the trope of vision in Benito Arias Montano's Divinarum nuptiarum conventa et acta and Christ Jesu vitae admirabiliumque actionum speculum
- The apparitiones Christi (Appearances of the risen Christ) in Jerónimo Nadal's Adnotationes et meditationes in Evangelia
- Ad contemplationis aciem ("Toward keen-sighted contemplation"): The image of the picturing soul in Antonius Sucquet's Via vitae aeternae of 1620
- Et Josephum labore manuum vitae necessaria paravisse ("And St. Joseph by the labor of his hands furnished life's necessities"): St. Joseph as artisan and votary in Jesuit devotion of the late sixteenth century
- Non... laudem meam sculptilibus ("Nor my praise to graven images"): Divine artifice and the heart's idols in Georg Mack the Elder's painted print of The Trinity
- Penance and the meditative Catena in Hieronymus Wierix's Septem Psalmi Davidici of 1608
- Oratio and Reformatio in Hendrick Goltzius's Adoration of the Magi of 1605
- O interim felicem commutationem! ("Oh, yet happy exchange!): On the imitation of Christ in Otto van Veen's Carrying of the Cross
- Epilogue: Eros and imitation in Hendrick Goltzius's Annunciation from the Life of the Virgin.
