Modern women and Parisian consumer culture in impressionist painting
Introduction: Impressionism, consumer culture and modern women -- Selling, seduction, and soliciting the eye: Manet's bar at the Folies-Bergère -- Degas's dazzling hat shops and artisanal atelier: consumers, milliners and sales women, 1882--1910 -- Inconspicuous subversion: Parisian consu...
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| Main Author: | |
|---|---|
| Document Type: | Thesis Book |
| Language: | English |
| Published: |
Cambridge [u.a.]
: Cambridge University Press
, 2007
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| Edition: | 1. publ. |
| Subjects: | |
| Online Access: | Verlagsangaben Autorenbiografie Book review (H-Net) Rezension Inhaltsverzeichnis Rezension |
| Related Items: | Rezensiert in:
[Rezension von: Ruth E. Iskin, Modern women and Parisian consumer culture in impressionist painting] Rezensiert in: [Rezension von: Ruth E. Iskin, Modern women and Parisian consumer culture in impressionist painting] |
| Author Notes: | Ruth E. Iskin |
Table of Contents:
- Introduction: Impressionism, consumer culture and modern women
- Selling, seduction, and soliciting the eye: Manet's bar at the Folies-Bergère
- Degas's dazzling hat shops and artisanal atelier: consumers, milliners and sales women, 1882
- 1910
- Inconspicuous subversion: Parisian consumer culture in 1870s city views
- Nature and marketplace: Zola, Pissarro, and Caillebotte
- Chic Parisienne: a national brand of French fashion and femininity


