The fertile ground of painting : seventeenth-century still lifes & nature pieces
17th-Century Netherlandish Still Life painting actively participated in the intellectual discourse of natural philosophy and the natural sciences, even though art history until recently described it, somewhat simplifying, as realistic-representative painting. We urgently need a rehabilitation of the...
সংরক্ষণ করুন:
| প্রধান লেখক: | |
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| অন্যান্য লেখক: | |
| বিন্যাস: | গ্রন্থ |
| ভাষা: | English German |
| প্রকাশিত: |
London ; Turnhout
: Harvey Miller Publishers
, 2020
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| মালা: | Harvey Miller studies in baroque art
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| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | lizenzpflichtig |
| সম্পর্কিত উপাদান: | Rezensiert in:
[Rezension von: Karin Leonhard, The fertile ground of painting. 17th-century still lives and nature pieces] |
| লেখক সম্পর্কিত টীকা: | Karin Leonhard ; translation by Russell Stockman |
| সংক্ষিপ্ত: | 17th-Century Netherlandish Still Life painting actively participated in the intellectual discourse of natural philosophy and the natural sciences, even though art history until recently described it, somewhat simplifying, as realistic-representative painting. We urgently need a rehabilitation of the notion of Mimesis. The author restarts the discussion, by putting more emphasis on the historical notions of Nature and Image. She examines how mimetic structures acquired a biotic reproductive capacity in the 17th century. Still Life painting thematizes the ability of Nature and Art to produce similarities and is therefore predestined for a theorization of mimetic strcutures of Art in general. |
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| উপাদানের বিবরণ: | Literaturverzeichnis: Seite 279-297 Auf der Rückseite der Haupttitelseite: "Originally published as "Bildfelder - Stilleben und Naturstücke des 17. Jahrhunderts" in German by Walter de Gruyter GmbH, 2013." |
| দৈহিক বর্ননা: | 304 Seiten |
| আইসবিএন: | 9781912554065 1912554062 |
