Worlds within : opening the medieval shrine Madonna
"Explores Shrine Madonnas, late medieval statues of the Virgin Mary that split open to reveal richly carved and painted interiors. Analyzes the changing roles of vision and sensation in the complex performative ways in which audiences engaged with devotional art, both in public and in private&q...
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Main Author: | |
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Document Type: | Book |
Language: | English |
Published: |
University Park, Pennsylvania
: The Pennsylvania State University Press
, 2015
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Subjects: | |
Online Access: | Inhaltsverzeichnis Rezension Rezension Inhaltsverzeichnis |
Related Items: | Rezensiert in:
[Rezension von: Elina Gertsman, Worlds within. Opening the medieval shrine Madonna] |
Author Notes: | Elina Gertsman |
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245 | 1 | 0 | |a Worlds within |b opening the medieval shrine Madonna |c Elina Gertsman |
264 | 1 | |a University Park, Pennsylvania |b The Pennsylvania State University Press |c 2015 | |
300 | |a XVII, 268 S. |b zahlr. Ill. |c 27 cm | ||
336 | |a Text |b txt |2 rdacontent | ||
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500 | |a Includes bibliographical references and index | ||
505 | 8 | 0 | |t Introduction : a cause of error |
505 | 8 | 0 | |t Secrets : revealing bodies, fragmented vision |
505 | 8 | 0 | |t Ruptures : holy anatomy, affective obstetrics |
505 | 8 | 0 | |t Play : animate substance, uncanny performance |
505 | 8 | 0 | |t Imprints : hybrid memories, interior journeys |
505 | 8 | 0 | |t Postscript : the excavated body |
505 | 8 | 0 | |t Appendix : shrine Madonnas, ca. 1270-ca. 1500, in approximate chronological order |
505 | 8 | 0 | |a Introduction : a cause of errorSecrets : revealing bodies, fragmented vision -- Ruptures : holy anatomy, affective obstetrics -- Play : animate substance, uncanny performance -- Imprints : hybrid memories, interior journeys -- Postscript : the excavated body -- Appendix : shrine Madonnas, ca. 1270-ca. 1500, in approximate chronological order. |
520 | |a "Explores Shrine Madonnas, late medieval statues of the Virgin Mary that split open to reveal richly carved and painted interiors. Analyzes the changing roles of vision and sensation in the complex performative ways in which audiences engaged with devotional art, both in public and in private"--Provided by publisher | ||
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