The poster : art, advertising, design, and collecting, 1860s - 1900s
Gespeichert in:
| VerfasserIn: | |
|---|---|
| Dokumenttyp: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Hanover, NH
: Dartmouth College Press
, 2014
|
| Schriftenreihe: | Interfaces: studies in visual culture
|
| Schlagwörter: | |
| Online Zugang: | Inhaltsverzeichnis |
| Bibliogr. Hinweis: | Erscheint auch als:
The poster Rezensiert in: [Rezension von: Ruth E. Iskin, The poster, art, advertising, design, and collecting, 1860s-1900s] |
| Verantwortlich: | Ruth E. Iskin |
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| 245 | 1 | 4 | |a The poster |b art, advertising, design, and collecting, 1860s - 1900s |c Ruth E. Iskin |
| 264 | 1 | |a Hanover, NH |b Dartmouth College Press |c 2014 | |
| 300 | |a XXI, 408 S. |b Ill. |c 25 cm | ||
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| 490 | 0 | |a Interfaces: studies in visual culture | |
| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | 0 | |a The Poster as Art. The Poster's Place in Modernism: Art and Mass Media in the 1890sToulouse-Lautrec, Jane Avril, and the Iconography of the Female Print Connoisseur in Posters -- The Poster and Print: Reproduction and Consecration. The Color Print: Art in the Age of Lithography -- Les Maîtres de l'Affiche: Aura and Reproduction -- The Poster as Design and Advertising. Art and Advertising in the Street -- Poster Design: The Dialogics of Image and Word -- Collecting and Iconophilia. The Poster at the Origins of the Age of Spectacle: The Rise of the Image and Modern Iconophobia -- The Iconophile's Collecting: Posters as an Ephemeral Archaeology of Modernity. |
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