[Rezension von: Barbara Furlotti, A Renaissance Baron and his Possessions]

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Publicat a Kunstform (2013)

[Rezension von: Barbara Marx / Peter Plaßmeyer (Hrsg.), Sehen und Staunen. Die Dresdner Kunstkammer von 1640]

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Publicat a Kunstform (2014)

[Rezension von: Christina Strunck, Christiane von Lothringen am Hof der Medici. Geschlechterdiskurs und Kulturtransfer zwischen Florenz, Frankreich und Lothringen (1589-1636)]

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Publicat a Kunstform (2018)

[Rezension von: Cinzia Maria Sicca, The Anglo-Florentine Renaissance. Art for the early Tudors]

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Publicat a Kunstform (2013)

[Rezension von: Douglas N. Dow, Apostolic iconography and Florentine confraternities in the age of reform]

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Publicat a Kunstform (2014)

[Rezension von: Elizabeth Goldring, Robert Dudley, Earl of Leicester, and the World of Elizabeth. Painting and Patronage at the Court of Elizabeth I]

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Publicat a Kunstform (2015)

[Rezension von: Enikő Zsellér, Die Künstlerfamilie Strigel. Studien zur spätgotischen Malerei in Memmingen]

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Publicat a Kunstform (2018)

[Rezension von: Evelyn Lincoln, Brilliant discourse. Pictures and readers in early modern Rome]

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Publicat a Kunstform (2016)

[Rezension von: Francis Ames-Lewis, Isabella and Leonardo. The Artistic Relationship between Isabella d'Este and Leonardo da Vinci, 1500 - 1506]

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Publicat a Kunstform (2013)

[Rezension von: Frank Zöllner / Johannes Nathan: Leonardo da Vinci. 1452-1519. Sämtliche Gemälde / Das zeichnerische Werk]

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Publicat a Kunstform (2014)

[Rezension von: Georg Laue (ed.), Exotica]

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Publicat a Kunstform (2012)

[Rezension von: Giancarla Periti, In the courts of religious ladies. Art, vision, and pleasure in Italian Renaissance convents]

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Publicat a Kunstform (2016)

[Rezension von: Guido Rebecchini, "Un altro Lorenzo". Ippolito de' Medici tra Firenze e Roma (1511-1535)]

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Publicat a Kunstform (2013)

[Rezension von: Hans Belting, Faces. Eine Geschichte des Gesichts]

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[Rezension von: Ingrid Rowland / Noah Charney, The collector of lives. Giorgio Vasari and the invention of art ]

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Publicat a Kunstform (2019)

[Rezension von: Lubomir Konečný / Štěpán Vácha (Hrsg.), Hans von Aachen in context. Proceedings of the international conference]

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Publicat a Kunstform (2015)

[Rezension von: Maia Wellington Gahtan / Eva-Maria Troelenberg (eds.), Collecting and empires. An historical and global perspective]

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Publicat a Kunstform (2019)

[Rezension von: Maria DePrano, Art patronage, family, and gender in Renaissance Florence]

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[Rezension von: Mark Rosen, The mapping of power in Renaissance Italy]

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[Rezension von: Niccolò Zorzi / Albrech Berger / Lorenzo Lazzarini (a cura di), I tondi di Venezia e Dumbarton Oaks. Arte e ideologia imperiale tra Bisanzio e Venezia]

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Publicat a Kunstform (2020)