[Rezension von: Ludovic Coupaye, Growing Artefacts, Displaying Relationships]

por Gastel, Joris van, Gastel, Joris van
Publicado no Kunstform (2015)

[Rezension von: Magdalena Bushart / Friedrich Steinle (eds.), Colour histories. Science, art, and technology in the 17th and 18th centuries]

por Pippich, Waltraud Valentina von, Pippich, Waltraud Valentina von
Publicado no Kunstform (2017)

[Rezension von: Maia Wellington Gahtan / Eva-Maria Troelenberg (eds.), Collecting and empires. An historical and global perspective]

por Gáldy, Andrea, Gáldy, Andrea
Publicado no Kunstform (2019)

[Rezension von: Maria DePrano, Art patronage, family, and gender in Renaissance Florence]

por Gáldy, Andrea, Gáldy, Andrea
Publicado no Kunstform (2019)

[Rezension von: Maria Effinger / Cornelia Logemann / Ulrich Pfisterer (Hrsg.), Götterbilder und Götzendiener in der Frühen Neuzeit]

por Hua, Yih-Fen, Hua, Yih-Fen
Publicado no Kunstform (2013)

[Rezension von: Marianne Grivel, Baptiste Pellerin et l'art parisien de la Renaissance]

por Wilson-Chevalier, Kathleen, Wilson-Chevalier, Kathleen
Publicado no Kunstform (2015)

[Rezension von: Marietta Kesting, Affective images. Post-apartheid documentary perspectives]

por Jörder, Katharina, Jörder, Katharina
Publicado no Kunstform (2019)

[Rezension von: Mario Biagioli / Peter Jaszi / Martha Woodmansee (eds.), Making and unmaking intellectual property]

por Thill, Robert, Thill, Robert
Publicado no Kunstform (2014)

[Rezension von: Marion Beckers / Das verborgene Museum (Hrsg.), Alice Lex-Nerlinger 1893-1975. Fotomonteurin und Malerin]

por Dalton, Caitlin, Dalton, Caitlin
Publicado no Kunstform (2017)

[Rezension von: Mark Rosen, The mapping of power in Renaissance Italy]

por Gáldy, Andrea, Gáldy, Andrea
Publicado no Kunstform (2015)

[Rezension von: Martha Langford (ed.), Narratives unfolding. National art histories in an unfinished world]

por Nielsen, Kristine, Nielsen, Kristine
Publicado no Kunstform (2018)

[Rezension von: Martha Pollak, Cities at war in early modern Europe]

por Düsterhaus, Donatus, Düsterhaus, Donatus
Publicado no Kunstform (2011)

[Rezension von: Martha Wolff (ed.), Kings, queens, and courtiers. Art in Early Renaissance France]

por Wilson-Chevalier, Kathleen, Wilson-Chevalier, Kathleen
Publicado no Kunstform (2011)

[Rezension von: Mary D. Sheriff, Enchanted islands. Picturing the allure of conquest in eighteenth-century France]

por Johnson, Dorothy, Johnson, Dorothy
Publicado no Kunstform (2019)

[Rezension von: Mary Quinlan-McGrath, Influences. Art, optics, and astrology in the Italian Renaissance]

por Bourgeois, Angi Elsea, Bourgeois, Angi Elsea
Publicado no Kunstform (2014)

[Rezension von: Max Seidel, Father and son. Nicola and Giovanni Pisano]

por Lakey, Christopher R., Lakey, Christopher R.
Publicado no Kunstform (2015)

[Rezension von: Michael Kraus / Karoline Noack (Hrsg.), Quo vadis, Völkerkundemuseum? Aktuelle Debatten zu ethnologischen Sammlungen in Museen und Universitäten]

por Bodenstein, Felicity, Bodenstein, Felicity
Publicado no Kunstform (2017)

[Rezension von: Mitchell B. Merback, Pilgrimage and pogrom. Violence, memory, and visual culture at the host-miracle shrines of Germany and Austria]

por Oefelein, Cornelia, Oefelein, Cornelia
Publicado no Kunstform (2014)

[Rezension von: Nancy Mowll Mathews / Pierre Curie (eds.), Mary Cassatt. An American impressionist in Paris]

por Fisher, Paul, Fisher, Paul
Publicado no Kunstform (2019)

[Rezension von: Natalie Krentz, Ritualwandel und Deutungshoheit. Die frühe Reformation in der Residenzstadt Wittenberg (1500-1533)]

por Cavarzere, Marco, Cavarzere, Marco
Publicado no Kunstform (2014)