[Rezension von: Beata Hock, Gendered artistic positions and social voices. Politics, cinema, and the visual arts in state-socialist and post-socialist Hungary]

por Wasiak, Patryk, Wasiak, Patryk
Publicado no Kunstform (2015)

[Rezension von: Guido Abbattista, Umanità in mostra. Esposizioni etniche e invenzioni esotiche in Italia (1880-1940)]

por Regazzoni, Lisa, Regazzoni, Lisa
Publicado no Kunstform (2015)

[Rezension von: Ludovic Coupaye, Growing Artefacts, Displaying Relationships]

por Gastel, Joris van, Gastel, Joris van
Publicado no Kunstform (2015)

[Rezension von: Marianne Grivel, Baptiste Pellerin et l'art parisien de la Renaissance]

por Wilson-Chevalier, Kathleen, Wilson-Chevalier, Kathleen
Publicado no Kunstform (2015)

[Rezension von: Christine McCall Probes / Sabine Mödersheim (eds.), The art of persuasion. Emblems and propaganda]

por Bell, Jameson Kısmet, Bell, Jameson Kısmet
Publicado no Kunstform (2015)

[Rezension von: Elizabeth Goldring, Robert Dudley, Earl of Leicester, and the World of Elizabeth. Painting and Patronage at the Court of Elizabeth I]

por Gáldy, Andrea, Gáldy, Andrea
Publicado no Kunstform (2015)

[Rezension von: Donal Cooper / Janet Robson, The making of Assisi. The Pope, the Franciscans, and the painting of the Basilica]

por Wolff, Ruth, Wolff, Ruth
Publicado no Kunstform (2015)

[Rezension von: Flavio Boggi / Robert Gibbs, Lippo di Dalmasio. "Assai valente pittore"]

por Pfändtner, Karl-Georg, Pfändtner, Karl-Georg
Publicado no Kunstform (2015)

[Rezension von: Max Seidel, Father and son. Nicola and Giovanni Pisano]

por Lakey, Christopher R., Lakey, Christopher R.
Publicado no Kunstform (2015)

[Rezension von: Jack Flam / Katy Rogers / Tim Clifford, Robert Motherwell. Paintings and collages. A catalogue raisonné, 1941-1991]

por Gilbert, Gregory, Gilbert, Gregory
Publicado no Kunstform (2014)

[Rezension von: Natalie Krentz, Ritualwandel und Deutungshoheit. Die frühe Reformation in der Residenzstadt Wittenberg (1500-1533)]

por Cavarzere, Marco, Cavarzere, Marco
Publicado no Kunstform (2014)

[Rezension von: Mario Biagioli / Peter Jaszi / Martha Woodmansee (eds.), Making and unmaking intellectual property]

por Thill, Robert, Thill, Robert
Publicado no Kunstform (2014)

[Rezension von: Douglas N. Dow, Apostolic iconography and Florentine confraternities in the age of reform]

por Gáldy, Andrea, Gáldy, Andrea
Publicado no Kunstform (2014)

[Rezension von: Mary Quinlan-McGrath, Influences. Art, optics, and astrology in the Italian Renaissance]

por Bourgeois, Angi Elsea, Bourgeois, Angi Elsea
Publicado no Kunstform (2014)

[Rezension von: Barbara Marx / Peter Plaßmeyer (Hrsg.), Sehen und Staunen. Die Dresdner Kunstkammer von 1640]

por Gáldy, Andrea, Gáldy, Andrea
Publicado no Kunstform (2014)

[Rezension von: Dominique Thiébaut, Giotto e compagni]

por Schwarz, Michael Viktor, Schwarz, Michael Viktor
Publicado no Kunstform (2014)

[Rezension von: Els Stronks, Negotiating differences. Word, image, and religion in the Dutch Republic]

por Seaman, Natasha Therese, Seaman, Natasha Therese
Publicado no Kunstform (2014)

[Rezension von: Frank Zöllner / Johannes Nathan: Leonardo da Vinci. 1452-1519. Sämtliche Gemälde / Das zeichnerische Werk]

por Gáldy, Andrea, Gáldy, Andrea
Publicado no Kunstform (2014)

[Rezension von: Karl-Georg Pfändtner / Brigitte Gullath, Der Uta-Codex. Frühe Regensburger Buchmalerei in Vollendung. Die Handschrift Clm 13601 der Bayerischen Staatsbibliothek]...

por Cohen, Adam S., Cohen, Adam S.
Publicado no Kunstform (2014)

[Rezension von: Julian Gardner, The Roman crucible. The artistic patronage of the papacy 1198-1304]

por Hauknes, Marius, Hauknes, Marius
Publicado no Kunstform (2014)