[Rezension von: Mitchell B. Merback, Pilgrimage and pogrom. Violence, memory, and visual culture at the host-miracle shrines of Germany and Austria]

por Oefelein, Cornelia, Oefelein, Cornelia
Publicado no Kunstform (2014)

[Rezension von: Cannon, Joanna, Religious Poverty, Visual Riches: Art in the Dominican Churches of Central Italy in the Thirteenth and Fourteenth Centuries]

por James, Sara Nair, James, Sara Nair
Publicado no The sixteenth century journal (2015)

[Rezension von: Idries Trevathan, Mona AlJalhami, Murdo MacLeod, Mona Mansour, (eds.), The art of orientation, an exploration of the Mosque through objects]

por Jamaleddine, Ziad, Jamaleddine, Ziad
Publicado no 21: inquiries into art, history, and the visual (2022)

[Rezension von: Michael Rothberg, The implicated subject, beyond victims and perpetrators]

por Shaw, Wendy M. K., Shaw, Wendy M. K.
Publicado no 21: inquiries into art, history, and the visual (2022)

[Rezension von: Christiane L. Joost-Gaugier, Islamic elements in the architecture of Puglia]

por Fontana, Maria Vittoria, Fontana, Maria Vittoria
Publicado no 21: inquiries into art, history, and the visual (2022)

[Rezension von: François Queyrel, La sculpture hellénistique. Formes, thèmes et fonctions]

por Hemingway, Seán A., Hemingway, Seán A.
Publicado no Histara (2017)

[Rezension von: Hans-Joachim Schalles (Hrsg.), Schatzhäuser. Antiken aus Xantener Privatbesitz und europäischen Museen]

por Halbertsma, Ruurd, Halbertsma, Ruurd
Publicado no Histara (2017)

[Rezension von: Ralf von den Hoff (Hrsg.), Eikones. Portraits en contexte: recherches nouvelles sur les portraits grecs du Ve au Ier s. av. J.-C.]

por Lebentē, Iphigeneia, Lebentē, Iphigeneia
Publicado no Histara (2017)

[Rezension von: Stephen Sheehi, The Arab Imago. A Social History of Portrait Photography, 1860-1910]

por Nolan, Erin Hyde, Nolan, Erin Hyde
Publicado no Kunstform (2017)

[Rezension von: Marion Beckers / Das verborgene Museum (Hrsg.), Alice Lex-Nerlinger 1893-1975. Fotomonteurin und Malerin]

por Dalton, Caitlin, Dalton, Caitlin
Publicado no Kunstform (2017)

[Rezension von: Detlev Wannagat, Archaisches Lachen. Die Entstehung einer komischen Bilderwelt in der korinthischen Vasenmalerei]

por Osborne, Robin, Osborne, Robin
Publicado no Kunstform (2017)

[Rezension von: Michael Kraus / Karoline Noack (Hrsg.), Quo vadis, Völkerkundemuseum? Aktuelle Debatten zu ethnologischen Sammlungen in Museen und Universitäten]

por Bodenstein, Felicity, Bodenstein, Felicity
Publicado no Kunstform (2017)

[Rezension von: Sheila S. Blair, Text and image in medieval Persian art]

por Grbanovic, Ana Marija, Grbanovic, Ana Marija
Publicado no Kunstform (2017)

[Rezension von: Séverine Sofio, Artistes femmes. La parenthèse enchantée, XVIIIe-XIXe siècles]

por Siegfried, Susan L., Siegfried, Susan L.
Publicado no Kunstform (2017)

[Rezension von: Casey Brienza, Global manga. 'Japanese' comics without Japan?]

por Kacsuk, Zoltan, Kacsuk, Zoltan
Publicado no Kunstform (2017)

[Rezension von: Jeffrey Chipps Smith (ed.), Visual acuity and the arts of communication in early modern Germany]

por Bryda, Gregory, Bryda, Gregory
Publicado no Kunstform (2016)

[Rezension von: Jonathan Conlin (ed.), The pleasure garden, from Vauxhall to Coney Island]

por Mooney, Barbara Burlison, Mooney, Barbara Burlison
Publicado no Kunstform (2016)

[Rezension von: Giancarla Periti, In the courts of religious ladies. Art, vision, and pleasure in Italian Renaissance convents]

por Gáldy, Andrea, Gáldy, Andrea
Publicado no Kunstform (2016)

[Rezension von: Klaus Krüger, Politik der Evidenz. Öffentliche Bilder als Bilder der Öffentlichkeit im Trecento]

por Bokody, Péter, Bokody, Péter
Publicado no Kunstform (2016)

[Rezension von: Hal Foster, Bad new days: Art, criticism, emergency]

por Carey, Jean Marie, Carey, Jean Marie
Publicado no Kunstform (2016)