[Rezension von: Séverine Sofio, Artistes femmes. La parenthèse enchantée, XVIIIe-XIXe siècles]

Por Siegfried, Susan L., Siegfried, Susan L.
Publicado no Kunstform (2017)

[Rezension von: Eric Jan Sluijter, Rembrandt’s rivals. History painting in Amsterdam 1630-1650]

Por Silver, Larry, Silver, Larry
Publicado no Kunstform (2016)

[Rezension von: Elizabeth Rodini, Gentile Bellini's Portrait of Sultan Mehmed II. Lives and afterlives of an iconic image]

Por Terndrup, Alison, Terndrup, Alison
Publicado no 21: inquiries into art, history, and the visual (2022)

[Rezension von: Chiara Franceschini (ed.), Sacred images and normativity, contested forms in early modern art]

Por Mueller, Linda, Mueller, Linda
Publicado no 21: inquiries into art, history, and the visual (2023)

[Rezension von: Timothy J. Standring / Martin Clayton (eds.), Castiglione. Lost genius]

Por Gastel, Joris van, Gastel, Joris van
Publicado no Kunstform (2014)

[Rezension von: Joni M. Hand, Women, manuscripts and identity in Northern Europe, 1350-1550]

Por Borland, Jennifer, Borland, Jennifer
Publicado no Kunstform (2013)

[Rezension von: Flip H. Bool (ed.), Dutch Eyes: A Critical History of Photography in the Netherlands]

Por Errouane, Camelia, Errouane, Camelia
Publicado no Journal für Kunstgeschichte (2008)

[Rezension von: Dietrich Erben, Paris und Rom. Die staatlich gelenkten Kunstbeziehungen unter Ludwig XIV.]

Por Oresko, Robert, Oresko, Robert
Publicado no Francia <Ostfildern> / 2 (2007)

[Rezension von: Martin Kemp, The Science of Art. Optical themes in western art from Brunelleschi to Seurat]

Por Veltman, Kim H., Veltman, Kim H.
Publicado no Kunstchronik (1991)

[Rezension von: Dorothy Mayher Shepard, Introducing the Lambeth Bible. A study of text and imagery]

Por Worm, Andrea, Worm, Andrea
Publicado no ArtHist.net (2009)

[Rezension von: Jean-Michel Palmier, Weimar in exile. The antifascist emigration in Europe and America]

Por Stonard, John-Paul, Stonard, John-Paul
Publicado no ArtHist.net (2009)

[Rezension von: Timothy McCall, Brilliant bodies, fashioning courtly men in early Renaissance Italy]

Por Duits, Rembrandt, Duits, Rembrandt
Publicado no 21: inquiries into art, history, and the visual (2023)

[Rezension von: Larissa Buchholz, The global rules of art, the emergence and divisions of a cultural world economy]

Por Zijlmans, Kitty, Zijlmans, Kitty
Publicado no 21: inquiries into art, history, and the visual (2023)

[Rezension von: Angela Negro, II giardino dipinto del Cardinal Borghese]

Por Witte, Arnold Alexander, Witte, Arnold Alexander
Publicado no Journal für Kunstgeschichte

[Rezension von: Ángel del Olmo García, Iconografía sexual del Románico]

Por Castiñeiras González, Manuel Antonio, Castiñeiras González, Manuel Antonio
Publicado no Journal für Kunstgeschichte

[Rezension von: Lucia Rainer, On the threshold of knowing. Lectures and performances in art and academia]

Por Foerschner, Anja, Foerschner, Anja
Publicado no Kunstform (2018)

[Rezension von: Anna Skriver, Die Taufkapelle von St. Gereon in Köln]

Por Hartog, Elizabeth den, Hartog, Elizabeth den
Publicado no Journal für Kunstgeschichte (2005)

[Rezension von: Heidrun Stein-Kecks, Der Kapitelsaal in der mittelalterlichen Klosterbaukunst]

Por Hartog, Elizabeth den, Hartog, Elizabeth den
Publicado no Journal für Kunstgeschichte (2006)

[Rezension von: Florian Weiland-Pollerberg, Amor und Psyche in der Renaissance]

Por Jong, Jan de, Jong, Jan de
Publicado no Journal für Kunstgeschichte (2006)

[Rezension von: Daniela Sandler, Counterpreservation. Architectural decay in Berlin since 1989]

Por Pugh, Emily, Pugh, Emily
Publicado no Kunstform (2017)