[Rezension von: Thomas W. Gaehtgens, Die brennende Kathedrale. Eine Geschichte aus dem Ersten Weltkrieg]

由 Herklotz, Ingo, Herklotz, Ingo
发表在 21: inquiries into art, history, and the visual (2020)

[Rezension von: Thomas Balfe, Joanna Woodall, Claus Zittel (eds.), Ad vivum?, visual materials and the vocabulary of life-likeness in Europe before 1800]

由 Fransen, Sietske, Fransen, Sietske
发表在 21: inquiries into art, history, and the visual (2020)

[Rezension von: Benjamin Anderson, Cosmos and community in early medieval art]

由 Blume, Dieter, Blume, Dieter
发表在 21: inquiries into art, history, and the visual (2020)

[Rezension von: Diane Waggoner, Lewis Carroll's photography and modern childhood]

由 Stiegler, Bernd, Stiegler, Bernd
发表在 21: inquiries into art, history, and the visual (2020)

[Rezension von: Michael W. Cole, Sofonisba’s lesson, a Renaissance artist and her work]

由 Christadler, Maike, Christadler, Maike
发表在 21: inquiries into art, history, and the visual (2021)

[Rezension von: Kathleen Bickford Berzock, ed., Caravans of gold, fragments in time, art, culture, and exchange across medieval Saharan Africa - Alisa LaGamma, ed., Sahel, art and...

由 Sears, Andrew, Sears, Andrew
发表在 21: inquiries into art, history, and the visual (2021)

[Rezension von: Jonathan Bober, Piero Boccardo, [...] (eds.), A superb baroque, art in Genoa, 1600-1750]

由 Ebert-Schifferer, Sybille, Ebert-Schifferer, Sybille
发表在 21: inquiries into art, history, and the visual (2021)

[Rezension von: Ivan Foletti and Klára Doležalová (eds.), The notion of liminality and the medieval sacred space]

由 Pentcheva, Bissera V., Pentcheva, Bissera V.
发表在 21: inquiries into art, history, and the visual (2021)

[Rezension von: Laura Moretti, In the house of the muses, collection, display and performance in the Veronese Palace of Mario Bevilacqua (1536-93)]

由 Borean, Linda, Borean, Linda
发表在 21: inquiries into art, history, and the visual (2021)

[Rezension von: Christiane Hertel, Siting China in Germany, eighteenth-century Chinoiserie and its modern legacy]

由 Grasskamp, Anna, Grasskamp, Anna
发表在 21: inquiries into art, history, and the visual (2021)

[Rezension von: Pia Rudolph, Im Garten der Gesundheit, Pflanzenbilder zwischen Natur, Kunst und Wissen in gedruckten Kräuterbüchern des 15. Jahrhunderts]

由 Olariu, Dominic, Olariu, Dominic
发表在 21: inquiries into art, history, and the visual (2021)

[Rezension von: Sandra Braune und Jürgen Müller (Hg.), Alltag als Exemplum, religiöse und profane Deutungsmuster der frühen Genrekunst]

由 Brabant, Dominik, Brabant, Dominik
发表在 21: inquiries into art, history, and the visual (2021)

[Rezension von: Francisco Prado-Vilar (ed.), El Pórtico de la Gloria, architectura, materia y visión]

由 Rüffer, Jens, Rüffer, Jens
发表在 21: inquiries into art, history, and the visual (2021)

[Rezension von: Lisa Reilly, The invention of Norman visual culture, art, politics, and dynastic ambition]

由 Dittelbach, Thomas, Dittelbach, Thomas
发表在 21: inquiries into art, history, and the visual (2022)

[Rezension von: Reff, Theodore, ed., The letters of Edgar Degas]

由 Berger, Christian, Berger, Christian
发表在 21: inquiries into art, history, and the visual (2022)

[Rezension von: Karl Kusserow (ed.), Picture ecology, art and ecocriticism in planetary perspective]

由 Smith, Olga, Smith, Olga
发表在 21: inquiries into art, history, and the visual (2022)

[Rezension von: Andrew Finegold, Vital Voidsm, cavities and holes in Mesoamerican material culture]

由 Kurt-Nielsen, Jesper, Kurt-Nielsen, Jesper
发表在 21: inquiries into art, history, and the visual (2022)

[Rezension von: Ulrich Pfisterer, Kunstgeschichte zur Einführung]

由 Falkenhausen, Susanne von, Falkenhausen, Susanne von
发表在 21: inquiries into art, history, and the visual (2021)

[Rezension von: Emmanuel Alloa, Partages de la perspective]

由 Valaouris, Michalis, Valaouris, Michalis
发表在 21: inquiries into art, history, and the visual (2021)

[Rezension von: Hanneke Grootenboer, The pensive image, art as a form of thinking]

由 Sapir, Itay, Sapir, Itay
发表在 21: inquiries into art, history, and the visual (2021)