[Rezension von: Theresa Holler, Jenseitsbilder, Dantes Commedia und ihr Weiterleben im Weltgericht bis 1500]

by Bokody, Péter, Bokody, Péter
Published in 21: inquiries into art, history, and the visual (2023)

[Rezension von: Timothy McCall, Brilliant bodies, fashioning courtly men in early Renaissance Italy]

by Duits, Rembrandt, Duits, Rembrandt
Published in 21: inquiries into art, history, and the visual (2023)

[Rezension von: Christina Bradstreet, Scented visions, smell in Art, 1850-1914]

by Sauer, Christian, Sauer, Christian
Published in 21: inquiries into art, history, and the visual (2023)

[Rezension von: Edward S. Cooke, Global objects, toward a connected art history]

by Yakuppur, Yasmine, Yakuppur, Yasmine
Published in 21: inquiries into art, history, and the visual (2023)

[Rezension von: Mechtild Widrich, Monumental cares, sites of history and contemporary art]

by Rounthwaite, Adair, Rounthwaite, Adair
Published in 21: inquiries into art, history, and the visual (2023)

[Rezension von: Larissa Buchholz, The global rules of art, the emergence and divisions of a cultural world economy]

by Zijlmans, Kitty, Zijlmans, Kitty
Published in 21: inquiries into art, history, and the visual (2023)

[Rezension von: Alessia Frassani (ed.), Visual culture and indigenous agency in the early Americas]

by Stanfield-Mazzi, Maya Selama, Stanfield-Mazzi, Maya Selama
Published in 21: inquiries into art, history, and the visual (2023)

[Rezension von: Juliane Noth, Transmedial landscapes and modern Chinese painting]

by Clark, John, Clark, John
Published in 21: inquiries into art, history, and the visual (2023)

[Rezension von: Ileana Parvu, La consistance des choses, Peter Fischli, David Weiss et le temps retourné]

by Pacquet, Clara, Pacquet, Clara
Published in 21: inquiries into art, history, and the visual (2023)

[Rezension von: Dario & Libero Gamboni, Das Museum als Erfahrung, Reisedialoge über Künstler- und Sammlermuseen]

by Troelenberg, Eva-Maria, Troelenberg, Eva-Maria
Published in 21: inquiries into art, history, and the visual (2023)