Regina Cœli : les images mariales et le culte des reliques : entre Orient et Occident au Moyen Âge

Scholarly investigation of devotional images from the medieval period has never explored, in a European context, the question of Marian paintings functioning as portable relics. The model of the picture-reliquary ? : a single, diptych, or triptych panel comprising the portrait of the ?Virgin and Ch...

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Bibliografiske detaljer
Hovedforfatter: Migdał, Anna Maria (Author, VerfasserIn)
Format: Thesis Bog
Sprog:French
Udgivet: Turnhout : Brepols , [2017]
Serier:Hagiologia volume 12
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Online adgang:Inhaltsverzeichnis
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Relaterede værker:Rezensiert in: [Rezension von: Anna Maria Migdal, Regina Cœli. Les images mariales et le culte des reliques. Entre Orient et Occident au Moyen Âge]
Forfatter Kommentarer:Anna Maria Migdal
Beskrivelse
Summary:Scholarly investigation of devotional images from the medieval period has never explored, in a European context, the question of Marian paintings functioning as portable relics. The model of the picture-reliquary ? : a single, diptych, or triptych panel comprising the portrait of the ?Virgin and Child? painted on wood (or, more rarely, on gilded glass, ?verreéglomisé?) set in a large framework encrusted with relics (occasionally with precious stones) was particularly widespread in the territory of Little Poland from c. 1420. Polish reliquaries, known until the beginning of the sixteenth century, should be considered as an adaptation of iconic types and forms of Byzantine provenance, which were reinterpreted in the painting of the Italian ?Trecento?. Of particular note is the Siennese model of the portable Marian altar piece made popular from the 1330s-40s. From the comparative study of the works, concerning their similarities and their antiquity, one envisages the advent of such a formal concept in Poland either directly from Italy, or by the intermediary of Bohemia
Fysisk beskrivelse:438 Seiten, 24 ungezählte Seiten Bildtafeln Illustrationen
ISBN:2503568580
9782503568584