07184cam a2200865 4500 822990857 DE-627 20241004134146.0 tu 150421s2015 xxk||||| 00| ||eng c 2015015497 9780300214000 : hardback 978-0-300-21400-0 (DE-627)822990857 (DE-576)455647682 (DE-599)GBV822990857 (OCoLC)940932960 (OCoLC)944076475 DE-627 ger DE-627 rda eng XA-GB XD-US N5247.H45 709.42/09032 LOC 23 ART015030 HIS015000 HIS037040 BIO014000 DES005000 bisacsh 9,10 ssgn LH 60400 BVB rvk (DE-625)rvk/94195: 21.80 bkl 20.24 bkl 20.16 bkl Griffey, Erin 1972- VerfasserIn (DE-588)137239688 (DE-627)591031167 (DE-576)302830049 aut On display Henrietta Maria and the materials of magnificence at the Stuart court Erin Griffey ; published for The Paul Mellon Centre for Studies in British Art "In the early modern period, rulers demonstrated their power and influence through carefully curated "display" their presence in court ceremonies, their palaces and their contents, and their portraits. Henrietta Maria of France (1609-1669), queen consort of King Charles I of England, embraced these opportunities for display with particular flair. This richly illustrated book follows Henrietta Maria through and beyond the Bourbon and Stuart courts to chart her patronage and engagement with the visual arts, building works, and the luxury trade. It develops a powerful picture not just of the images, fashions, interiors, and buildings shaped by the queen's directorial influence but also of the political and religious factors that governed her choices and policies of court display. Her cultural patronage in particular emphasized her family honor, dynastic clout, Catholic piety, feminine virtue, and discerning taste. Erin Griffey analyzes the full spectacle of the queen's represented image, not only through the well-known portraits by Sir Anthony van Dyck but also through her rich bed ensembles, tapestries, jewelry, clothing, and devotional goods the objects that embodied and conveyed her royal power." London New Haven Yale University Press [2015] xi, 372 Seiten Illustrationen Text txt rdacontent unbewegtes Bild sti rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Includes bibliographical references "In the early modern period, rulers demonstrated their power and influence through carefully curated "display"--their presence in court ceremonies, their palaces and their contents, and their portraits. Henrietta Maria of France (1609-1669), queen consort of King Charles I of England, embraced these opportunities for display with particular flair. This richly illustrated book follows Henrietta Maria through and beyond the Bourbon and Stuart courts to chart her patronage and engagement with the visual arts, building works, and the luxury trade. It develops a powerful picture not just of the images, fashions, interiors, and buildings shaped by the queen's directorial influence but also of the political and religious factors that governed her choices and policies of court display. Her cultural patronage in particular emphasized her family honor, dynastic clout, Catholic piety, feminine virtue, and discerning taste. Erin Griffey analyzes the full spectacle of the queen's represented image, not only through the well-known portraits by Sir Anthony van Dyck but also through her rich bed ensembles, tapestries, jewelry, clothing, and devotional goods the objects that embodied and conveyed her royal power." Contexts - The Bourbon Princess and Stuart Queen - Assimilation and Transformation, 1626-29 - Fertility and the Materials of Motherhood, the 1630s - Fertility and the Representation of Motherhood, the 1630s - 'La Reine Malheureuse': Exile in Paris, 1644-59 - Restorations: The Queen Mother at the Court of Charles II and the Commonwealth Legacy - 'Her Majesties New Buildings at Somerset-House', 1662-65 - Between Bourbon and Stuart: Colombes, Chaillot and the Queen Mother's Legacy Archivierung/Langzeitarchivierung gewährleistet SSG XA-DE-BW pdager DE-16 Henrietta Maria Queen, consort of Charles I, King of England 1609-1669 Art patronage Henrietta Maria Queen, consort of Charles I, King of England 1609-1669 Portraits Art Political aspects England History 17th century p (DE-588)118904043 (DE-627)079680682 (DE-576)21034802X Henriette Maria England, Königin 1609-1669 gnd s (DE-588)4160343-6 (DE-627)105478547 (DE-576)209857005 Höfische Kunst gnd (DE-627) s (DE-588)4128844-0 (DE-627)105714259 (DE-576)209605545 Sammlung gnd s (DE-588)4074442-5 (DE-627)106089617 (DE-576)209193867 Mäzenatentum gnd s (DE-588)4145426-1 (DE-627)104297247 (DE-576)209741392 Bildnismalerei gnd s (DE-588)4073883-8 (DE-627)104476257 (DE-576)209191740 Kunsthandwerk gnd s (DE-588)4192138-0 (DE-627)105236837 (DE-576)210078413 Luxusgut gnd z gnd Geschichte 1600-1660 (DE-627) Paul Mellon Centre for Studies in British Art Herausgebendes Organ (DE-588)1045454-8 (DE-627)100050743 (DE-576)191407828 isb Rezensiert in Braesel, Michaela [Rezension von: Erin Griffey, On display. Henrietta Maria and the materials of magnificence at the Stuart court] 2016 (DE-627)179527638X https://swbplus.bsz-bw.de/bsz455647682rez.htm B:DE-576;DE-16 application/pdf 20160919124701 Verlag Rezension http://www.sehepunkte.de/2016/09/27814.html V:DE-576;X:Sehepunkte text/html 20180419093558 Rezension http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028724041&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Verlag Inhaltsverzeichnis Blocktest LH 60400 Kunstsammeln Kunstgeschichte Allgemeines. Allgemeine Kunstgeschichte Kunstkennerschaft und Mäzenatentum Kunstsammeln (DE-627)1270643045 (DE-625)rvk/94195: (DE-576)200643045 21.80 Kunsthandwerk Kunstgewerbe: Allgemeines (DE-627)106410873 20.24 Gesellschaft Kultur Ikonographie (DE-627)106423622 20.16 Kunstförderung (DE-627)106406558 BO Henriette Maria <England, Königin> Höfische Kunst Sammlung Mäzenatentum Bildnismalerei Kunsthandwerk Luxusgut Geschichte 1600-1660 Rezensiertes Werk KXP-PPN822990857 4182323696