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|a 21.02
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245 |
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|a Henry Raeburn
|b context, reception and reputation
|c ed. by Viccy Coltman and Stephen Lloyd
|
264 |
|
1 |
|a Edinburgh
|b Edinburgh Univ. Press
|c 2012
|
300 |
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|a XVIII, 388 S.
|b zahlr. Ill.
|
336 |
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|a Text
|b txt
|2 rdacontent
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337 |
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|a ohne Hilfsmittel zu benutzen
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|a Band
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505 |
8 |
0 |
|t "I cannot coin money for them"
|r Stephen LloydScotland's Canova and the immortal Raeburn / Helen E. Smailes
|
505 |
8 |
0 |
|t Raeburn's John Hope, 4th Earl of Hopetown
|r Viccy Coltman
|
505 |
8 |
0 |
|t In the shadow of Jacques-Louis David's Napoleon
|r Godfrey Evans
|
505 |
8 |
0 |
|t Raeburn and the print culture of Edinburgh, c.1790-1830
|r Stana Nenadic
|
505 |
8 |
0 |
|t A portrait of the artist in London
|r Nicholas Tromans
|
505 |
8 |
0 |
|t The critique of the modern French school of painting Reynolds to Constable
|r Philippe Bordes
|
505 |
8 |
0 |
|t Raeburn in America
|r Robyn Asleson
|
505 |
8 |
0 |
|t Raeburn and Goya
|r Sarah Symmons
|
505 |
8 |
0 |
|t Raeburn's first biography
|r Matthew Craske
|
505 |
8 |
0 |
|t "Synonymous with manly portraits"
|r Jordan Mearns
|
505 |
8 |
0 |
|t Raeburn and France
|r Olivier Meslay
|
505 |
8 |
0 |
|t Raeburn and the revival of mezzotint portraiture, 1890-1930
|r David Alexander.
|
600 |
1 |
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|a Raeburn, Henry
|c Sir
|d 1756-1823
|x Criticism and interpretation
|v Congresses
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655 |
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7 |
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|a Lloyd, Stephen
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|x Verlag
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|m V:DE-576;X:Sehepunkte
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