rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    non sort: The
    title: Brush and the Pen
    sub title: Odilon Redon and Literature
  title info:
    title: Plume et le pinceau. <engl.>
  name:
    name part: Gamboni, Dario
    name part: 1954-
    role:
      role term: creator
    role:
      role term: aut
  type of resource: text
  origin info:
    place:
      place term: xxu
    place:
      place term: XD-US
    date issued: 2011
    issuance: monographic
  language:
    language term: eng
  language:
    language term: fre
  physical description:
    form: print
    extent: xxi, 401 S Ill 24 cm
  table of contents: The artist and his myth -- The quest for origins and their effacement -- Indecision and artistic vocation -- Art versus determinism -- The painter as poet-philosopher -- The review of the 1868 salon -- The later writings -- The ethical basis of drawing -- Recourse to literary sources -- Entering the artistic field -- A late start, individualism, and marginal status -- Lithography as an expedient -- Astray on the boulevard? : the exhibitions of 1881 and 1882 -- The writers' role -- Introductions -- Redon and the decadents: homologies and affinities -- Criticism and its interests -- J.-K. Huysmans, priority, and primacy -- Writers as artists' agents -- Criticism as transubstantiation -- Portraits of the bourgeois as an artist -- The Edgar Poe of the graphic arts -- A literary public, a literary art? -- The question of illustration -- Translating Poe -- Literary references, titles, captions, and albums -- "On the frontiers of all the arts" -- J.-K. Huysmans and poetic criticism -- An album and its transposition -- J.-K. Huysmans, "the new album by Odilon Redon" -- The homage to Goya campaign and the crystallization of symbolism -- The technique and principles of transposition -- Face of mystery: iconology and communication -- Pre-iconographical analysis -- From Dürer to Pascal: sources, comparisons, and the semantic field -- Face of mystery as self-portrait: an image of the artist and of art -- Face of mystery as a mirror -- Ambiguity, exegesis, and a community of equals oo -- The expanse and the limits of the restricted field -- Internationalism and marginality -- Proselytism and exclusiveness -- The limitations of literary friendships -- Estrangement from Huysmans and the move to the right bank -- Redon's change of direction -- The turning point explained -- The end of artistic isolation -- Illustration as interpretation -- La tentation: avatars of literary associations -- The "renaissance of lithography" -- "Consecration" and ambiguities of symbolism -- The primacy…
  note: DARIO GAMBONI; translated by Mary Whittall
  note: Includes bibliographical references and index
  note: Archivierung prüfen 20240324 DE-4165 1 pdager
  subject:
    name:
      name part: Redon, Odilon
      name part: 1840-1916
    topic: Criticism and interpretation
  subject:
    name:
      name part: Huysmans, J.-K (Joris-Karl)
      name part: 1848-1907
  subject:
    topic: Ut pictura poesis (Aesthetics)
  subject:
    topic: Illustration of books
    geographic: France
    temporal: 19th century
    topic: Themes, motives
  classification: NC980.5.R43
  classification: 759.4 B
  classification: 759.4092
  related item:
    title info:
      title: Plume et le pinceau. <engl.>
    name:
      name part: Gamboni, Dario
      name part: 1954-
  identifier: 0226280551
  identifier: 9780226280554
  identifier: 2011034930
  record info:
    record content source: DE-627
    record creation date: 110830
    record change date: 20250218000634.0
    record identifier: 667409971
    language of cataloging:
      language term: ger