The Brush and the Pen : Odilon Redon and Literature
Saved in:
| Main Author: | |
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| Document Type: | Book |
| Language: | English French |
| Published: |
Chicago
: University of Chicago Press
, [2011]
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| Subjects: | |
| Author Notes: | DARIO GAMBONI; translated by Mary Whittall |
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| 100 | 1 | |8 1\p |a Gamboni, Dario |d 1954- |0 (DE-588)12014011X |0 (DE-627)080473377 |0 (DE-576)165131772 |4 aut | |
| 240 | 1 | 0 | |a Plume et le pinceau. <engl.> |
| 245 | 1 | 4 | |a The Brush and the Pen |b Odilon Redon and Literature |c DARIO GAMBONI; translated by Mary Whittall |
| 264 | 1 | |a Chicago |b University of Chicago Press |c [2011] | |
| 300 | |a xxi, 401 S |b Ill |c 24 cm | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a ohne Hilfsmittel zu benutzen |b n |2 rdamedia | ||
| 338 | |a Band |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | 0 | |a The artist and his myth -- The quest for origins and their effacement -- Indecision and artistic vocation -- Art versus determinism -- The painter as poet-philosopher -- The review of the 1868 salon -- The later writings -- The ethical basis of drawing -- Recourse to literary sources -- Entering the artistic field -- A late start, individualism, and marginal status -- Lithography as an expedient -- Astray on the boulevard? : the exhibitions of 1881 and 1882 -- The writers' role -- Introductions -- Redon and the decadents: homologies and affinities -- Criticism and its interests -- J.-K. Huysmans, priority, and primacy -- Writers as artists' agents -- Criticism as transubstantiation -- Portraits of the bourgeois as an artist -- The Edgar Poe of the graphic arts -- A literary public, a literary art? -- The question of illustration -- Translating Poe -- Literary references, titles, captions, and albums -- "On the frontiers of all the arts" -- J.-K. Huysmans and poetic criticism -- An album and its transposition -- J.-K. Huysmans, "the new album by Odilon Redon" -- The homage to Goya campaign and the crystallization of symbolism -- The technique and principles of transposition -- Face of mystery: iconology and communication -- Pre-iconographical analysis -- From Dürer to Pascal: sources, comparisons, and the semantic field -- Face of mystery as self-portrait: an image of the artist and of art -- Face of mystery as a mirror -- Ambiguity, exegesis, and a community of equals oo -- The expanse and the limits of the restricted field -- Internationalism and marginality -- Proselytism and exclusiveness -- The limitations of literary friendships -- Estrangement from Huysmans and the move to the right bank -- Redon's change of direction -- The turning point explained -- The end of artistic isolation -- Illustration as interpretation -- La tentation: avatars of literary associations -- The "renaissance of lithography" -- "Consecration" and ambiguities of symbolism -- The primacy of admirers and the limits of recognition -- Redon in the arena of criticism -- Avowals, denials, and polemics -- The brush takes up the pen: the late writings -- New views of art, literature, and criticism -- Friends and foes: the pen and the brush -- A posthumous triumph -- Family quarrels -- A fin-de-siècle crisis in artist-writer relations -- The rise of formalism and the complicity of adversaries. |
| 583 | 1 | |a Archivierung prüfen |c 20240324 |f DE-4165 |z 1 |2 pdager | |
| 600 | 1 | 0 | |a Redon, Odilon |d 1840-1916 |x Criticism and interpretation |
| 600 | 1 | 0 | |a Huysmans, J.-K |q (Joris-Karl) |d 1848-1907 |
| 650 | 0 | |a Ut pictura poesis (Aesthetics) | |
| 650 | 0 | |a Illustration of books |z France |y 19th century |x Themes, motives | |
| 700 | 1 | 2 | |a Gamboni, Dario |d 1954- |t Plume et le pinceau. <engl.> |
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