Queer beauty : sexuality and aesthetics from Winckelmann to Freud and beyond
Introduction: sexuality and aesthetics from Winckelmann to Freud and beyond -- Queer beauty: Winckelmann and Kant on the vicissitudes of the ideal -- The universal phallus: Hamilton, Knight, and the Wax phalli of Isernia -- Representative representation: Schopenhauer's ontology of art -- Double...
Gespeichert in:
| VerfasserIn: | |
|---|---|
| Dokumenttyp: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; Chichester
: Columbia University Press
, c 2010
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| Schriftenreihe: | Columbia themes in philosophy, social criticism, and the arts
|
| Schlagwörter: | |
| Online Zugang: | Inhaltsverzeichnis |
| Bibliogr. Hinweis: | Rezensiert in:
What is visual culture anyway? Rezensiert in: What is visual culture anyway? |
| Verantwortlich: | Whitney Davis |
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| 245 | 1 | 0 | |a Queer beauty |b sexuality and aesthetics from Winckelmann to Freud and beyond |c Whitney Davis |
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| 490 | 0 | |a Columbia themes in philosophy, social criticism, and the arts | |
| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | |a Introduction: sexuality and aesthetics from Winckelmann to Freud and beyond -- Queer beauty: Winckelmann and Kant on the vicissitudes of the ideal -- The universal phallus: Hamilton, Knight, and the Wax phalli of Isernia -- Representative representation: Schopenhauer's ontology of art -- Double mind: Hegel, Symonds, and homoerotic spirit in renaissance art -- The line of death: decadence and the organic metaphor -- The sense of beauty: homosexuality and sexual selection in Victorian aesthetics -- The aesthetogenesis of sex: "narcissism" in Freudian theory and homosexualist culture, i -- Love all the same: "narcissism" in Freudian theory and homosexualist culture, ii -- The unbecoming: Michel Foucault and the laboratories of sexuality -- Fantasmatic iconicity: Freudianism, formalism, and Richard Wollheim. | |
| 520 | |a Introduction: sexuality and aesthetics from Winckelmann to Freud and beyond -- Queer beauty: Winckelmann and Kant on the vicissitudes of the ideal -- The universal phallus: Hamilton, Knight, and the Wax phalli of Isernia -- Representative representation: Schopenhauer's ontology of art -- Double mind: Hegel, Symonds, and homoerotic spirit in renaissance art -- The line of death: decadence and the organic metaphor -- The sense of beauty: homosexuality and sexual selection in Victorian aesthetics -- The aesthetogenesis of sex: "narcissism" in Freudian theory and homosexualist culture, I -- Love all the same: "narcissism" in Freudian theory and homosexualist culture, II -- The unbecoming: Michel Foucault and the laboratories of sexuality -- Fantasmatic iconicity: Freudianism, formalism, and Richard Wollheim | ||
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