04749cam a2200661 c 4500 1915734622 DE-627 20260206201240.0 tu 250128s2024 fi ||||| 00| ||eng c 9789526518350 978-952-65183-5-0 9526518357 952-65183-5-7 (DE-627)1915734622 (DE-603)534777198 (DE-599)KXP1915734622 (OCoLC)1435152302 DE-627 ger DE-627 rda eng XA-FI 700 KUNST DE-14 fid LI 99900 DE-14/sred rvk (DE-625)rvk/97467: Biting the hand traces of resistance in the Art & Language diaspora edited, compiled and introduced by Paul Wood ; foreword by Sezgin Boynik ; afterword by Ann Stephen. and Helsinki Rab-Rab Press April 2024 302 Seiten Illustrationen 24 cm Text txt rdacontent unbewegtes Bild sti rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier 600 copies "Biting the Hand: Traces of Resistance in the Art & Language diaspora is about a dissident formation of artists active in the UK in the 1970s and 80s.The book tells the story of artists engaging with a critique of then-contemporary modernist art education, who have embarked on a series of theoretical investigations which became increasingly politicised under the pressures of an evolving social crisis. Increased racism, unemployment and attacks on the organised working class all raised questions about how a critical art might respond. By the late 1970s, these radical artists, mostly in the orbit of the Art & Language group, were producing posters and leaflets for a wide range of left-wing causes, as well as analyses of the politics of art and design education and the role of cultural ideology in maintaining consensus. In the 1980s, as Thatcherism tightened its grip, those involved went their separate ways into areas as diverse as media work, trade unionism, health and education. Biting the Hand has three parts: a retrospective introduction setting the formation in its historical context, and two annotated documentary sections presenting examples of the work as both text and image, written and edited by Paul Wood.It also includes a foreword by Sezgin Boynik, publisher, and an afterword by Ann Stephen, curator and art historian, further expanding on the book's subject." -- Verlagshomepage (DE-588)2005064-1 (DE-627)101508719 (DE-576)191606596 Art & Language Künstlervereinigung gnd Geschichte 1968-1990 gnd (DE-588)4079262-6 (DE-627)104675039 (DE-576)209211776 Widerstand gnd (DE-588)4033637-2 (DE-627)106256440 (DE-576)209002905 Kunsterziehung gnd (DE-588)4155265-9 (DE-627)105517089 (DE-576)209817542 Free Jazz gnd (DE-588)4032354-7 (DE-627)104616954 (DE-576)208996478 Concept-art gnd (DE-588)4046514-7 (DE-627)104152206 (DE-576)209069945 Politik gnd (DE-588)4165895-4 (DE-627)105436747 (DE-576)209898593 Künstlervereinigung gnd (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd (DE-588)4020588-5 (DE-627)106317520 (DE-576)208933956 Gesellschaft gnd (DE-588)4022153-2 (DE-627)104665513 (DE-576)208942076 Großbritannien gnd b (DE-588)2005064-1 (DE-627)101508719 (DE-576)191606596 Art & Language Künstlervereinigung gnd s (DE-588)4032354-7 (DE-627)104616954 (DE-576)208996478 Concept-art gnd (DE-627) Wood, Paul 1949- HerausgeberIn (DE-588)188386807 (DE-627)699315417 (DE-576)135258561 edt Boynik, Sezgin 1977- VerfasserIn eines Vorworts (DE-588)1274860458 (DE-627)1826440836 wpr Art & Language Künstlervereinigung IllustratorIn (DE-588)2005064-1 (DE-627)101508719 (DE-576)191606596 ill Rezensiert in Dreher, Thomas, 1957 - [Rezension von: Paul Wood (Hrsg.), Biting the hand: Traces of resistance in the art & language diaspora] 2025 (DE-627)1932264612 https://swbplus.bsz-bw.de/bsz1915734622rez.htm V:DE-576 B:DE-16 20250811193119 Rezension 1 LI 99900 Künstlergruppen Kunstgeschichte Künstler-Monografien Künstlergruppen (DE-627)1479154091 (DE-625)rvk/97467: (DE-576)409154091 l300 mzub BO Art & Language Concept-art Rezensiertes Werk KXP-PPN1915734622 4977238885