04899cam a2200781 4500 1800795319 DE-627 20240815163342.0 tu 220503s2022 xxk||||| 00| ||eng c 2021948686 9780691166384 978-0-691-16638-4 (DE-627)1800795319 (DE-599)BVBBV047884496 (OCoLC)1314902623 (DE-604)BV047884496 DE-627 ger DE-627 rda eng XA-GB N6847 709.4409034 SEPA KUNST DE-16 fid 20.10 bkl 20.24 bkl Alsdorf, Bridget 19XX- VerfasserIn (DE-588)1256455636 (DE-627)1800566816 aut Gawkers art and audience in late nineteenth-century France Bridget Alsdorf Princeton Oxford Princeton University Press [2022] 285 Seiten Illustrationen Text txt rdacontent unbewegtes Bild sti rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier "Gawkers explores how artists and writers in late nineteenth-century Paris represented the seductions, horrors, and banalities of street life through the eyes of curious viewers known as badauds. In contrast to the singular and aloof bourgeois flâneur, badauds were passive, collective, instinctive, and highly impressionable. Above all, they were visual, captivated by the sights of everyday life. Beautifully illustrated and drawing on a wealth of new research, Gawkers excavates badauds as a subject of deep significance in late nineteenth-century French culture, as a motif in works of art, and as a conflicted model of the modern viewer. Bridget Alsdorf examines the work of painters, printmakers, and filmmakers who made badauds their artistic subject, including Félix Vallotton, Pierre Bonnard, Henri de Toulouse-Lautrec, Honoré Daumier, Edgar Degas, Jean-Léon Gérôme, Eugène Carrière, Charles Angrand, and Auguste and Louise Lumière. From morally and intellectually empty to sensitive, empathetic, and humane, the gawkers these artists portrayed cut across social categories. They invite the viewer's identification, even as they appear to threaten social responsibility and the integrity of art. Delving into the ubiquity of a figure that has largely eluded attention, idling on the margins of culture and current events, Gawkers traces the emergence of social and aesthetic problems that are still with us today." -- Archivierung/Langzeitarchivierung gewährleistet FID XA-DE-BW pdager DE-16 1800-1899 Art, French 19th century Themes, motives DLC Spectators in art DLC Art français - 19e siècle - Thèmes, motifs Spectateurs dans l'art Distance sociale Art, French - Themes, motives (OCoLC)fst00816297 Social distance (OCoLC)fst01122432 Spectators in art (OCoLC)fst01129052 Bildband (DE-588)4145395-5 (DE-627)104450835 (DE-576)209741139 gnd-content g (DE-588)4018145-5 (DE-627)106327232 (DE-576)208922857 Frankreich gnd s (DE-588)4604993-9 (DE-627)326265295 (DE-576)214181448 Menschenmenge Motiv gnd s (DE-588)7500586-4 (DE-627)505196409 (DE-576)253212995 Publikum Motiv gnd s (DE-588)4684268-8 (DE-627)347575773 (DE-576)215006399 Zuschauer Motiv gnd s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd z gnd Geschichte 1850-1900 (DE-627) 9780691232416 Erscheint auch als Online-Ausgabe Alsdorf, Bridget, 19XX - Gawkers Princeton : Princeton University Press, 2022 1 online resource (297 pages) (DE-627)179544777X 9780691232416 Rezensiert in Sturm-Müller, Michelle [Rezension von: Bridget Alsdorf, Gawkers, art and audience in late nineteenth-century France] 2023 (DE-627)1843693682 https://swbplus.bsz-bw.de/bsz1800795319inh.htm V:DE-576 B:DE-16 20220729193845 Inhaltsverzeichnis http://www.sehepunkte.de/2022/04/36548.html V:DE-576 X:Sehepunkte text/html 20220615141009 Rezension https://swbplus.bsz-bw.de/bsz1800795319rez.htm V:DE-576 B:DE-16 20220808193023 Rezension 20.10 Kunst und Gesellschaft (DE-627)106406256 20.24 Gesellschaft Kultur Ikonographie (DE-627)106423622 BO Frankreich Menschenmenge Publikum Zuschauer Kunst Geschichte 1850-1900 Rezensiertes Werk KXP-PPN1800795319 4323155476