04339cam a2200601 4500 1799941884 DE-627 20240513232712.0 tu 220421s2021 be ||||| 00| ||eng c 9781912554775 978-1-912554-77-5 1912554771 1-912554-77-1 (DE-627)1799941884 (DE-599)KXP1799941884 (OCoLC)1312643641 DE-627 ger DE-627 rda eng XA-BE N7260 709.5 KUNST DE-16 fid 11.53 bkl 02.16 bkl 20.30 bkl Benay, Erin E. VerfasserIn (DE-588)140269703 (DE-627)61697275X (DE-576)316178454 aut Italy by way of India translating art and devotion in the early modern world Erin Benay Turnhout Harvey Miller Publishers [2021] 202 Seiten Illustrationen Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Italy by Way of India' recovers peripheral narratives of image-making from the margins of cultural exchange between India and Italy during early modernity and promotes indigenous artists as central to the construction of Christian art in India and to the representation of India in Europe.0The return of a saint?s body to its rightful resting place was an event of civic and spiritual significance retold in Medieval sources and substantiated by artistic commissions. Legends of Saint Thomas Apostle, for instance, claimed that the martyred saint had been miraculously transported from India to Italy during the thirteenth century. However, Saint Thomas?s purported resting place in Ortona, Italy did not become a major stopping point on pilgrimage or exploration routes, nor did this event punctuate frescoed life cycles or become a subject for Renaissance altarpieces as one would expect. Instead, the site of the apostle?s burial in Chennai, India has flourished as a terminus of religious pilgrimage, where a multifaceted visual tradition emerged, and where a vibrant local cult of ?Thomas Christians? remains to this day. An unlikely destination on the edge of the ?known? world thus became a surprising source of early modern Christian piety. By studying the art and texts associated with this little-known cult, this book disrupts assumptions about how knowledge of Asia took shape during the Renaissance and challenges art historical paradigms in which art was crafted by locals merely to be exported, collected, and consumed by curious European patrons. In so doing, 'Italy by Way of India' proposes that we redefine the parameters of early modern visual culture to account for the ways that global mobility and the circulation of objects profoundly influence how cultures see and know each other as well as themselves Archivierung/Langzeitarchivierung gewährleistet FID XA-DE-BW pdager DE-16 g (DE-588)4026722-2 (DE-627)104585129 (DE-576)208967699 Indien gnd g (DE-588)4027833-5 (DE-627)106283235 (DE-576)208972501 Italien gnd s (DE-588)4010109-5 (DE-627)106359770 (DE-576)20888596X Christliche Kunst gnd s (DE-588)4165964-8 (DE-627)105436267 (DE-576)20989900X Kulturaustausch gnd z gnd Geschichte 1500-1700 (DE-627) Rezensiert in Krass, Urte, 1977 - [Rezension von: Erin Benay, Italy by way of India, translating art and devotion in the early modern world] 2023 (DE-627)1878468367 https://swbplus.bsz-bw.de/bsz1799941884inh.htm V:DE-576 B:DE-16 20220524194359 Inhaltsverzeichnis https://www.gbv.de/dms/art-berlin/1799941884.pdf V:DE-601 B:DE-B11 pdf/application Inhaltsverzeichnis 11.53 Neuzeitliches Christentum (DE-627)181571498 02.16 Wissenschaftliche und kulturelle Zusammenarbeit (DE-627)106403427 20.30 Kunstgeschichte: Allgemeines (DE-627)106410326 BO Indien Italien Christliche Kunst Kulturaustausch Geschichte 1500-1700 Rezensiertes Werk KXP-PPN1799941884 4564549227