04832cam a2200673 4500 1690984740 DE-627 20220513144508.0 tu 200225s2017 be ||||| 00| ||eng c 2019304821 9781909400832 hardbound 978-1-909400-83-2 1909400831 hardbound 1-909400-83-1 (DE-627)1690984740 (DE-599)KXP1690984740 (OCoLC)1195889473 DE-627 eng DE-627 rda eng XA-BE GT4052.P47 940.1 15.67 bkl 21.71 bkl Rihouet, Pascale VerfasserIn (DE-588)119756487X (DE-627)1679236520 aut Art moves the material culture of procession in Renaissance Perugia Pascale Rihouet Abweichender Titel Art moves, the material culture of processions in Renaissance Perugia Turnhout Harvey Miller Publishers [2017] 323 Seiten Illustrationen 29 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier [Studies in medieval and early Renaissance art history] Series title from publisher's Web site Includes bibliographical references (pages 279-308) and index Preface -- Introduction -- Civic glamour on the move -- Candles --The flamboyance of death --The sovereign's progress -- Crisis processions and the power of banners --The extraordinary relic transfer of 1609 -- Epilogue -- Appendices. 'Art moves' reconstructs the appearance and conditions of use of processional artifacts, whether they were worn (uniforms and liveries), held by individuals, (maces, flags, and candles), or carried communally (canopy, reliquaries, banners, or statues). This is the first book on the material culture of processions as a performative, multi-media, apparatus. It investigates how objects were charged with meaning from medium and fabrication to market value to size and weight. Ritual settings gave them a symbolic force that was heightened through their mobility. In the public events studied here - religious and civic celebrations, elite funerals, papal entries, city-wide penance, and relic transfers - 'moving' [pun intended] objects became the meaningful vehicles of ritual efficacy, shaping ideology, group solidarity, and social cohesion. Despite the liturgical framework, processional paraphernalia foregrounded the laity, notably secular authorities and confraternities. Art Moves also raises the issue of conflict that material ephemera could invite or even spark. Renaissance Perugia, a middling-sized city, presents a wealth of textual, visual, and material evidence, not to mention its medieval and renaissance topography. In Perugia more than anywhere else perhaps, several banners played a key role in crisis processions, becoming cult objects revered into the nineteenth century. This study also revisits artistic representations of corteges, questioning the extent of their documentary value. The approach intertwines the disciplines of art history, social history, material culture, religious studies, and anthropology. This publication offers a new way of looking at the dynamics of urban processions while revivifying the sensory experience of public life in Italy, ca. 1350-1600 Processions History 14th century Processions History 15th century Processions History 16th century Perugia (Italy) Social life and customs History 14th century Perugia (Italy) Social life and customs History 15th century Perugia (Italy) Social life and customs History 16th century g (DE-588)4045314-5 (DE-627)106202251 (DE-576)209064641 Perugia gnd s (DE-588)4176065-7 (DE-627)104288027 (DE-576)209968052 Prozession gnd s (DE-588)4154166-2 (DE-627)105525456 (DE-576)209809140 Festdekoration gnd s (DE-588)1032411767 (DE-627)73844376X (DE-576)380034921 Temporäre Architektur gnd z gnd Geschichte 1400-1600 (DE-627) Rezensiert in Evrard, Clarisse [Rezension von: Pascale Rihouet, Art moves. The material culture of processions in Renaissance Perugia] 2020 (DE-627)1801779694 15.67 Italien Geschichte (DE-627)181569728 21.71 Geschichte öffentlicher Bauten (DE-627)106421263 BO Perugia Prozession Festdekoration Temporäre Architektur Geschichte 1400-1600 Rezensiertes Werk KXP-PPN1690984740 4156295605