04787cam a2200889 4500 1637244762 DE-627 20240818163310.0 tu 180516s2018 xxu||||| 00| ||eng c 9780226471877 (hbk.) £41.50 978-0-226-47187-7 (DE-627)1637244762 (DE-576)505174227 (DE-599)BSZ505174227 (OCoLC)1039146320 (OCoLC)1039146320 DE-627 ger DE-627 rda eng ger XD-US TR183 770.11 DE-101 770 LOC 23 770 DE-101 KUNST DE-14 fid AP 94200 rvk (DE-625)rvk/8147:658 21.42 bkl Geimer, Peter 1965- VerfasserIn (DE-588)137337043 (DE-627)592105075 (DE-576)184317541 aut Bilder aus Versehen Inadvertent images a history of photographic apparitions Peter Geimer Chicago London The University of Chicago Press [2018] 234 Seiten Illustrationen 26 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Includes bibliographical references and index As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how it works. Peter Geimer explores all kinds of photographic irritation from throughout the history of the medium, as well as accidental images that occur through photo-like means, such as the image of Christ on the Shroud of Turin, brought into high resolution through photography. Geimer's investigations complement the history of photographic images by cataloging a corresponding history of their symptoms, their precarious visibility, and the disruptions threatened by image noise. Interwoven with the familiar history of photography is a secret history of photographic artifacts, spots, and hazes that historians have typically dismissed as 'spurious phenomena', 'parasites', or 'enemies of the photographer'. With such photographs, it is virtually impossible to tell where a 'picture' has been disrupted--where the representation ends and the image noise begins Photography Psychological aspects Photography History Photography Philosophy Phenomenology 21.42 history of photographic art Phenomenology Phenomenology Photography Photography Photography Photography Photography Photography History s (DE-588)4045895-7 (DE-627)104434880 (DE-576)209067160 Fotografie gnd s (DE-588)4016606-5 (DE-627)106332627 (DE-576)208916598 Fehler gnd s (DE-588)4068050-2 (DE-627)106106570 (DE-576)209172649 Zufall gnd s (DE-588)4078921-4 (DE-627)104609702 (DE-576)20921046X Visuelle Wahrnehmung gnd s (DE-588)4000626-8 (DE-627)106400541 (DE-576)208838821 Ästhetik gnd z gnd Geschichte DE-101 s (DE-588)4045895-7 (DE-627)104434880 (DE-576)209067160 Fotografie gnd z gnd Geschichte 1850-1920 (DE-627) 9780226471907 e-book Erscheint auch als Online-Ausgabe Geimer, Peter, 1965 - Inadvertent images Chicago : The University of Chicago Press, 2018 1 Online-Ressource (257 Seiten) (DE-627)1015962033 (DE-576)514973358 9780226471907 Rezensiert in Walther, Silke, 1970 - [Rezension von: Peter Geimer, Inadvertent Images] 2019 (DE-627)1832819221 https://swbplus.bsz-bw.de/bsz505174227inh.htm V:DE-576;B:DE-14 application/pdf 20180611140554 Inhaltsverzeichnis AP 94200 International, Allgemeines Allgemeines Medien- und Kommunikationswissenschaften, Medienkulturwissenschaft, Kommunikationsdesign Fotografie Biografie, Geschichte Geschichte der Fotografie International, Allgemeines (DE-627)127063707X (DE-625)rvk/8147:658 (DE-576)20063707X 21.42 Geschichte der Photographie SEPA (DE-627)106405713 BO Fotografie Fehler Zufall Visuelle Wahrnehmung Ästhetik Geschichte Fotografie Geschichte 1850-1920 Rezensiertes Werk KXP-PPN1637244762 4263449363