J. M. W. Turner and the subject of history
Introduction -- "A great and dreadful sea-fight" : the Battle of Trafalgar (1806-8) and the end of contemporary history painting -- "The conception of a swamp'd world" : destruction and creation in painting/history -- "This cross-fire of colours" : Turner and the v...
Gespeichert in:
| Mitwirkende: | |
|---|---|
| Dokumenttyp: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
: Ashgate
, 2012
|
| Schlagwörter: | |
| Online Zugang: | Inhaltsverzeichnis Rezension Rezension |
| Bibliogr. Hinweis: | Rezensiert in:
[Rezension von: Leo Costello, J. M. W. Turner and the Subject of History] |
| Verantwortlich: | Leo Costello |
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| 245 | 1 | 0 | |a J. M. W. Turner and the subject of history |c Leo Costello |
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| 500 | |a Literaturverz. S. [239] - 253 und Index | ||
| 505 | 8 | 0 | |a Introduction -- "A great and dreadful sea-fight" : the Battle of Trafalgar (1806-8) and the end of contemporary history painting -- "The conception of a swamp'd world" : destruction and creation in painting/history -- "This cross-fire of colours" : Turner and the varnishing days -- "In Venice now" : history, nature, and the body of the subject -- The slave ship : painting/abolition/history -- Conclusion. |
| 520 | |a Introduction -- "A great and dreadful sea-fight" : the Battle of Trafalgar (1806-8) and the end of contemporary history painting -- "The conception of a swamp'd world" : destruction and creation in painting/history -- "This cross-fire of colours" : Turner and the varnishing days -- "In Venice now" : history, nature, and the body of the subject -- The slave ship : painting/abolition/history -- Conclusion | ||
| 600 | 1 | 0 | |a Turner, J. M. W |q (Joseph Mallord William) |d 1775-1851 |x Criticism and interpretation |
| 650 | 0 | |a History in art | |
| 650 | 0 | |a Art and history |z Great Britain | |
| 653 | 4 | |a Turner, J. M. W |a (Joseph Mallord William), 1775-1851 |a Criticism and interpretation | |
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