Making modern Japanese-style painting : Kano Hōgai and the search for images
Introduction. Nihonga and the historical inscription of the modern -- Exhibitions and the making of modern Japanese painting -- In search of images -- The painter and his audiences -- Decadence and the emergence of Nihonga style -- Naturalizing the double reading -- Transmission and the historicity...
Saved in:
| Main Author: | |
|---|---|
| Document Type: | Thesis Book |
| Language: | English |
| Published: |
Chicago ; London
: University of Chicago Press
, 2015
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| Subjects: | |
| Related Items: | Rezensiert in:
Modernisierung durch Übersetzung |
| Author Notes: | Chelsea Foxwell |
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| 245 | 1 | 0 | |a Making modern Japanese-style painting |b Kano Hōgai and the search for images |c Chelsea Foxwell |
| 246 | 3 | 3 | |a Kano Hōgai (1828-88) and the making of modern Japanese painting |
| 264 | 1 | |a Chicago |a London |b University of Chicago Press |c 2015 | |
| 300 | |a XIII, 281 Seiten |b zahlr. Ill | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a ohne Hilfsmittel zu benutzen |b n |2 rdamedia | ||
| 338 | |a Band |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Titel der eingereichten Disseratation: "Foxwell, Chelsea: Kano Hōgai (1828-88) and the making of modern Japanese painting" | ||
| 502 | |b Dissertation |c Columbia University, New York |d 2008 | ||
| 505 | 8 | 0 | |a Introduction. Nihonga and the historical inscription of the modernExhibitions and the making of modern Japanese painting -- In search of images -- The painter and his audiences -- Decadence and the emergence of Nihonga style -- Naturalizing the double reading -- Transmission and the historicity of Nihonga -- Conclusion. |
| 520 | |a Introduction. Nihonga and the historical inscription of the modern -- Exhibitions and the making of modern Japanese painting -- In search of images -- The painter and his audiences -- Decadence and the emergence of Nihonga style -- Naturalizing the double reading -- Transmission and the historicity of Nihonga -- Conclusion | ||
| 600 | 1 | 0 | |a Kanō, Hōgai |d 1828-1888 |x Criticism and interpretation |
| 600 | 1 | 0 | |a Kanō, Hōgai 1828-1888 |x Kanō, Hōgai 1828-1888 |x 1868 - 1912 |
| 650 | 0 | |a Painting, Japanese |y Meiji period, 1868-1912 |x Exhibitions | |
| 650 | 0 | |a Art and society |z Japan |x History |y 19th century | |
| 650 | 0 | |a Art and society |z Japan |x History |y 20th century | |
| 650 | 0 | |a Painting, Japanese |y Meiji period, 1868-1912 | |
| 650 | 0 | |a Painting, Japanese |x Meiji period, 1868-1912 | |
| 650 | 0 | |a Painting, Japanese |x Exhibitions |x Meiji period, 1868-1912 | |
| 650 | 0 | |a Painting, Japanese |x Meiji period |x Exhibition catalogs | |
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| 936 | r | v | |a LO 89890 |b Malerei |k Kunst nach Ländern bzw. Kontinenten |k Asien und Vorderer Orient |k Kunstgeschichte Japans |k Japanische Kunstgeschichte nach Gattungen |k Malerei |0 (DE-627)1270648888 |0 (DE-625)rvk/105540: |0 (DE-576)200648888 |
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