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mods: A transitory star the late Bernini and his reception Lehmann, Claudia 1970- HerausgeberIn edt Lloyd, Karen J. 1980- HerausgeberIn edt text Aufsatzsammlung gw XA-DE-BE 2015 monographic ger eng ita print pdf/application application/pdf application/pdf text/html text/html application/pdf 214 Seiten Illustrationen 24 x 17 cm An examination of Bernini's position as the leading portrait artist in oils, marble and archtecture and his relationship to the princes of the Papal States from 1665 to his death Introduction. Star, water wings, and hairs. Bernini's career in metaphor Claudia Lehmann and Karen J. Lloyd Bernini and the measure of greatness Maarten Delbeke Agon und Spitzenkragen: Zur Rhetorik des Ornaments in Berninis Büste Heiko Damm Zwischen Geniestreich und kollektiver Leistung: Gian Lorenzo Berninis Entwürfe für den Louve Sabine Frommel Bernini's macchis Claudia Lehmann All the king's horses. Bernini's equestrian statues between Paris and Rome Karen J. Lloyd Bernini, Alessandro VII e piazza San Pietro a Roma: come e quando è stato chiuso il cantiere? / Maria Grazia d'Amelio e Tod A. Marder ; Quisquis hic vides documentum intellige: Zur Poetik von Berninis Obelisktragendem Elefanten für Alexander VII / Dr Christian Berndt ; Una traccia per la pittura del tardo Bernini. Notizie dal carteggio su due ritratt i di Clemente IX Tomaso Montanari Claudia Lehmann, Karen Lloyd (eds.) Beitr. teilw. dt., teilw. engl., teilw. ital Archivierung/Langzeitarchivierung gewährleistet SSG XA-DE-BW pdager DE-16 Archivierung prüfen 20260411 DE-4165 1 pdager Beitr. teilweise englisch, teiweise deutsch, teilweise italienisch Bernini, Gian Lorenzo 1598-1680 Influence Bernini, Gian Lorenzo 1598-1680 Geschichte 1665-1680 gnd Portrait painting, Baroque Italy Rome Portrait painting, Baroque France Paris Painting, Baroque Italian influences Portrait sculpture, Baroque Sculpture, Baroque Italian influences Sculpture, Baroque Italy Rome Sculpture, Baroque France Paris Architecture, Baroque…