The people's galleries : art museums and exhibitions in Britain, 1800 - 1914
"This innovative history of British art museums begins in the early 19th century. The National Gallery and the South Kensington Museum (now the Victoria and Albert Museum) in London may have been at the center of activity, but museums in cities such as Glasgow, Leeds, Liverpool, Manchester, and...
保存先:
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| 団体著者: | |
| フォーマット: | 図書 |
| 言語: | English |
| 出版事項: |
[London]
: The Paul Mellon Centre for Studies in British Art
, [2015]
New Haven ; London : Yale University Press , [2015] |
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| オンライン･アクセス: | Inhaltsverzeichnis Rezension Rezension |
| 関連資料: | Rezensiert in:
[Rezension von: Giles Waterfield, The people's galleries. Art museums and exhibitions in Britain, 1800-1914] |
| 著者紹介: | Giles Waterfield |
| 要約: | "This innovative history of British art museums begins in the early 19th century. The National Gallery and the South Kensington Museum (now the Victoria and Albert Museum) in London may have been at the center of activity, but museums in cities such as Glasgow, Leeds, Liverpool, Manchester, and Nottingham were immensely popular and attracted enthusiastic audiences. The People's Galleries traces the rise of art museums in Britain through World War I, focusing on the phenomenon of municipal galleries. This richly illustrated book argues that these regional museums represented a new type of institution: an art gallery for a working-class audience, appropriate for the rapidly expanding cities and shaped by liberal ideals. As their broad appeal weakened with the new century, they adapted and became more conventional. Using a wide range of sources, the book studies the patrons and the publics, the collecting policies, the temporary exhibitions, and the architecture of these institutions, as well as the complex range of reasons for their foundation"-- |
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| 記述事項: | Hier auch später erschienene, unveränderte Nachdrucke |
| 物理的記述: | XI, 370 Seiten Illustrationen |
| ISBN: | 9780300209846 0300209843 |
